Are there any human truths to be gained from watching this sordid roundelay play out to its bitter end?
In a medium that devours beauty so easily, it’s talent that’s kept Ludivine Sagnier going.
There is such rich history and potential for moving around this universe, but who really wants to?
The film’s title is an appropriate stand-in for the movie itself: straightforward exposition laid bare.
Those who have seen O Lucky Man! are familiar with its radical-chic frowny-pique.
In Celebration most definitely chafes at being made into a film.
My favorite piece of music criticism this year is one of those cut-and-paste subway collage hack jobs.
Seeing as how our heroes are constantly getting high, the film toys with the idea that what we’re seeing is in Dale and Saul’s heads.
Yeah, I stole that from John Ford’s famous “I’m John Ford. I make westerns.”
Lichman & Rizov “Live” at Grassroots Tavern: Episode 18, “This Podcast Gets a 48” with Mike D’Angelo
This is our first season finale, so we go out in style with Mike D’Angelo.
Rohmer has said that The Romance of Astrea and Celadon is probably his swan song, and he’s not pulling any punches here.
The great jazz singer Anita O’Day operated in some far-out be-bop realm of her own.
This has all been a fancy way of saying that Mad Men often feels like a collection of short stories about the characters rather than a conventional TV series.
Each episode, amidst the futility of attempting to bite off more than it can chew, also offers scenes that stretch beyond the format.
The Dark Knight is the most entertaining blockbuster of the summer, which still doesn’t mean it’s any good.
The discussion was entitled “The Making of The Wire,” and much of the evening was spent relaying behind-the-scenes trivia.
The film is an eloquent tribute to the oppositional figures who helped shape our country’s authentic history.
Risky Business’s status as the film that made Tom Cruise Tom Cruise overshadows its status in the teen-movie pantheon.
At some point the Season Four finale of Doctor Who, “Journey’s End,” will stand on its own.
Almost all of Bancroft’s best work can be found in the handful of films she made in the ’60s.