For a lot of people, the big reveal about the fate of Peggy’s baby will be remembered as one of the episode’s highlights.
Look, not for a minute do I think executive producer David Simon is trying to kowtow.
Given this background and now-familiar mold for thinking about film, it’s nice to see a famed novelist speak so highly of movies.
Pulse, about dead souls spilling through the Internet, isn’t just scary, it’s primally disturbing.
With rare exceptions, Fleet Foxes’s lyrics suggest that they’ve been living in the backwoods watching animals.
We took the time to chat about Guy Maddin, with both Vadim and Andrew giving us their thoughts on My Winnipeg.
In conjunction with the Museum of the Moving Image’s symposium on HBO’s The Wire, the museum commissioned a series of video essays for its online magazine.
Considering his condition when we last saw Roger Sterling, it was pretty startling to see him carrying on as if nothing had happened to him.
“The Stolen Earth” is a wonderful and sometimes frustrating episode.
I still don’t feel connected toGeneration Kill, now almost halfway through its run on HBO.
Though we discussed everything from spirituality to positive con artistry, the subject of living in Chelsea with an albino skunk never came up.
Mary Harron brings nothing distinctive to the episode, which looks like the rough cut of a Lifetime Network Christmas special.
Baghead is the first mumblecore movie to fail from thematic overambition rather than excessive modesty.
Since we missed the release date, now might be a good time to address Benten Films’s double-disc release of Katz’s first two features.
Which is greater, the filmmaker’s laziness or his contempt for his audience?
Surprisingly, the audience was the most curious character of the weekend.
Welcome to the “Ruediger-light” episode of this season’s Doctor Who recaps.
The first combat episode ofGeneration Kill is analogous to lousy sex.
Now you see it, now you don’t. That about encapsulates the depths of feeling and artistry in The Dark Knight.
We’re nearing the end of our first season of recording/drinking/merry-making at Grassroots.