There’s nothing inherently wrong with the ad-hoc approach to long-form storytelling.
Apocalypto finds Gibson working in the same nyuk-nyuk vein that’s sustained him for over 25 years, proving that, if nothing else, the guy still has retained his sense of humor.
The Rosenbaum riff you cited is hysterical on many fronts, first of all because it reveals, once again, that nothing gets J. Ro rolling like an opportunity to shovel dung onto a fresh corpse.
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