These shows prove the marathon-watching juggernaut’s concern for both quantity and quality.
Carrie’s actions may be morally correct, but they work against the greater needs of the country, and so she’s not permitted to act on her own.
Almost Human is a bargain-basement rehashing of various environments pilfered from a motley crew of science fiction forebears.
In this week’s episode of Coven, an elegantly interlocking series of plot turns suggests a major character’s undoing.
“Gerontion” could succeed as nothing more than a forum for discussing the pros and cons of the “ends justify the means” idiom.
“Internment” reintroduces the familiar, overt philosophical musings of its earlier seasons.
Desite its title, the show feels trapped in the past, a slave to the conventions of the ’70s British series on which it’s based.
It appears to have finally arrived at the depressing and predictable low point toward which it’s been trending for the past two years.
Creators Ryan Murphy and Brad Falchuk suffer few indulgences of sentimentality.
Based on the title of this week’s episode of Homeland, the question seems to be how much anyone can actually know, or be “positive” about.
The dilemma of letting go of the past versus holding on to it has slowly emerged as the central conflict in the fourth season.
This week’s episode of Coven is ideally timed to remind us that Halloween was once a dangerous pagan event.
One of the more noteworthy elements of “Isolation” is that it’s not nearly as Rick-centric as most episodes.
“The Yoga Play,” both the episode and the spy tactic that Carrie uses within it, is little more than a distraction.
To enjoy the film, you’ll have to be able to push a lumbering, hypocritical white elephant out the nearest door.
There’s a moment late in “The Replacements” that indirectly addresses a curiosity I’d already had in regard to Coven.
After last week’s quiet game of setup, the action starts fast and strong in the second episode of The Walking Dead’s fourth season.
Every sacrifice the series has made up to this point now feels redeemed.
It’s doubled down on its intrigue to hastily evolve from a bland procedural with a nifty visual aesthetic into a solid action-thriller.
It finds creators Ryan Murphy and Brad Falchuk settling into a relative groove after bursting furiously out of the gates last week.
The longer you watch Dracula, the more it becomes clear that it isn’t as interested in revitalizing the legend as it is in inoculating it.