In its final season, the series struggles to cook up something fresh, but it’s still hard to resist.
AMC’s Mad Men continues to bring the funny with an episode that furthers the exploration of Roger Sterling’s personality that began last week.
The second season finale of Big Love tries to do so many things at once that it periodically flies off the rails
It has a myriad of fascinating aspects marking it, but one of the most noteworthy is that it’s the first televised Doctor Who story based on a book.
The use of The Best of Everything is a bit off, as Rona Jaffe’s novel was published in 1958 and the screen version was released in October, 1959.
On the surface, everything is pristine and perfect.
“42” seems to have a few elements working against it: It’s highly reminiscent of “The Impossible Planet”/“The Satan Pit” from Season Two.
So much of what happens to Don in “5G” hinges on information that has yet to be revealed that it’s premature to evaluate the episode within the context of the series.
Big Love is obsessed (sometimes too obsessed) with the notion that our public faces conflict with the faces we wear in in private.
Revelation takes many forms, and David Milch chooses a more subdued and implicative tack in closing out this chapter of the show’s narrative.
It’d be all too easy to write off “The Lazarus Experiment” as Season Three’s transitional episode.
The last act of “New Amsterdam” contains what are probably my favorite Mad Men scenes to date.
The best scene in the episode is the one when Bill takes his wives to the casino to see exactly what he wants to purchase.
The varied impressions of a discordant society finally banding together are offset by a concomitant sense of purgatorial limbo.
“Marriage of Figaro” begins with a bombshell revelation, albeit one that’s been hinted at somewhat: Don Draper probably isn’t Don Draper after all.
Any Dalek story that attempts such bold revisionism is bound to be a mixed bag, and this two-parter most certainly is.
Picking the five best Simpsons episodes is well-nigh impossible.
The looks of horror in Bill and Barb’s eyes come from very different places.
That was most certainly the voice of the Creator taunting the fragile Barry Cunningham in the dilapidated barroom of the Snug Harbor Motel.
Someday I wanna make a list of celebrities who’ve “admitted” to loving Doctor Who.
Insofar as doings at SC are concerned, one of the most interesting aspects of “Ladies’ Room” is how it presents Don as seriously emasculated.