In its final season, the series struggles to cook up something fresh, but it’s still hard to resist.
I’m a little divided about the new credits sequence, which adds a more explicitly jubilant note but also seems just a little too energetic.
There are a lot of things to admire about Doctor Who’s audacious third season finale, “Last of the Time Lords.”
I bet I know why you’re not watching, and I hope I can convince you to at least give it a shot.
Pete has the gun in his hand—now, the question is how much damage he can do with it.
im Kring and his writers seem intent on exploring the reasons and logic behind their superpowered universe, and the implications in terms of human evolution all this has.
The wall-to-wall Ianto would be enough to bury this episode, but Chris Chibnall, the series’s lead writer, keeps piling on.
It’s difficult to discuss Doctor Who’s penultimate Season Three installment, “The Sound of Drums”, without also talking about the events of the episode that follow it.
This week’s episode was particularly notable where geeky continuity-oriented details are concerned.
The episode subjects us to a lot of slow-moving exposition and fuzzy hints about overarching mysteries that won’t be resolved for months to come.
Let me get my nitpick out of the way: they’re running around again.
If “Blink” was the perfect standalone episode of Doctor Who, then “Utopia” is just the opposite.
Curb Your Enthusiasm’s harping on Larry’s hyper-realized worldview and his general “outsider” relationship to humanity still surprises.
Finally, we have independent confirmation that human sexual relations are indeed the best thing in the universe.
Is it possible that “Blink” is the greatest Doctor Who episode ever created? Maybe.
“Shoot” struck me as a relative disappointment, even if it still offers plenty to chew on.
Here are our predictions for how 10 races are going to shake down on Sunday.
The show tries to balance its seriousness with unexpected flashes of humor that almost always fall flat.
Russell T Davies’s new Doctor Who spinoff, Torchwood, starts out several steps ahead of the game.
Before moving on to more important issues, let’s talk scarecrows.
Matthew Weiner seems to draw inspiration from films and literary works that are actual products of the Eisenhower/Kennedy era.