In its final season, the series struggles to cook up something fresh, but it’s still hard to resist.
With the game out of the way and their coach headed for the unemployment line, it’s a safe bet that we’ve seen the last of the Laribee Lions story arc.
Maybe I wasn’t alone in thinking the show is the most irresponsible, exploitive, and reprehensible program on television, or perhaps people just don’t read our TV section.
Each season of The Wire has introduced us to a different Baltimore institution.
David Simon, the creator of The Wire, likes to take a few episodes each season to set his stage.
I have some mild reservations about where Riggins’ storyline is going, but no matter what, I’m really looking forward to seeing Taylor Kitsch step up as an actor.
For some reason, terms like “outlaw director” are the buzz-du-jour when it comes to Japanese directors.
Neon Genesis Evangelion exists as a way to tell you it is okay to be watching anime.
Dexter in its second season is bolder and stronger than almost any other drama on the dial.
After being MIA for two weeks, Jason Street returns with what may very well be the dumbest plot point the show has ever asked the audience to swallow.
Ned has very interesting (albeit unenviable) powers, but he’s not the most interesting character on Pushing Daisies.
Due to the striking Writer’s Guild, episode 11 of Heroes’s second season may be the last we see of the show for quite some time.
“End of Days” brings Torchwood’s premiere run to a mostly satisfying conclusion.
As the title suggests, this week’s episode is all about the relationships, a focus that’s established before the end of the teaser.
It was a depressingly mundane hour of Heroes this week, as the show’s massive fluctuations of quality week-to-week continued.
This episode features the largest chunk of exposition from Jack since the pilot.
It’s unfortunate that Heroes is starting to pick up real momentum just as its strike-shortened second season comes to an end.
This is a perfectly servicable episode of Friday Night Lights, accompanied though it may be by a faint whiff of filler.
The intersection of the alien and the human is front and center in “Combat,” as disaffected young men seek meaning, Fight Club-style.
Heroes takes a turn for the dull again with a wrenchingly uninteresting super-flashback.
“Out of Time”, gorgeous throughout, ostensibly tells the story of three individuals lost in time thanks to a temporal anomaly caused by the Cardiff Rift.