Also check out Armond White’s column, in which he beats down Woody Allen.
At times, it’s difficult to determine if Arrested Development is good or just really fast.
Curb Your Enthusiasm is not unlike an absurdist comedy riff on Henrik Ibsen’s An Enemy of the People.
While Extras doesn’t follow the documentary format of The Office, Merchant and Gervais do rip themselves off a bit.
With scripted shows making even more of a comeback this season, viewers might be better off switching to My Name is Earl.
Supernatural’s shortcomings could have been mitigated were its plotlines authentically scary.
Marc Cherry and his cohorts intend to say something profound about suburbia with their outmoded view of womanhood and the places they call home.
For the last few seasons, the creators of Will & Grace have stopped at nothing to boost ratings.
Like Lost, the show seems predicated on an unsustainable premise.
Mercifully, with so much going on in the script, the series takes a decidedly simpler tack with its visuals.
G.I. Joe. Transformers. Thundercats. He-Man. Voltron. If you were a little boy in the ‘80s, chances are you liked some combination (if not all) of these shows.
There’s a sense that the writers of Weeds are as lazy as their main character, that they understand her as little as she seems to understand herself.
Over There lays on the melodramatic relationship unravelings and personal confessionals thick.
It’s entertaining to watch the self-dubbed “Anti-Nicole Kidman” do the kinds of unglamorous things the glamorous Kidman would never do.
The actors possess their characters with a shrill, childlike exuberance and overstatement that comes to define them.
Elisabeth Hasselbeck of ABC’s The View proposed this morning that child molesters should be put “in the ground.”
Andy Milonakis’s brand of humor is particularly daunting because so little of it has a context anyone living outside of his head can seriously relate to.
Dock a star from Bravo’s Blow Out for stealing the title of one of the cinema’s great political thrillers.