The true-crime docs here expose the rot at the core of many of our venerated institutions.
Curb Your Enthusiasm’s harping on Larry’s hyper-realized worldview and his general “outsider” relationship to humanity still surprises.
Finally, we have independent confirmation that human sexual relations are indeed the best thing in the universe.
Is it possible that “Blink” is the greatest Doctor Who episode ever created? Maybe.
“Shoot” struck me as a relative disappointment, even if it still offers plenty to chew on.
Here are our predictions for how 10 races are going to shake down on Sunday.
The show tries to balance its seriousness with unexpected flashes of humor that almost always fall flat.
Russell T Davies’s new Doctor Who spinoff, Torchwood, starts out several steps ahead of the game.
Before moving on to more important issues, let’s talk scarecrows.
Matthew Weiner seems to draw inspiration from films and literary works that are actual products of the Eisenhower/Kennedy era.
AMC’s Mad Men continues to bring the funny with an episode that furthers the exploration of Roger Sterling’s personality that began last week.
The second season finale of Big Love tries to do so many things at once that it periodically flies off the rails
It has a myriad of fascinating aspects marking it, but one of the most noteworthy is that it’s the first televised Doctor Who story based on a book.
The use of The Best of Everything is a bit off, as Rona Jaffe’s novel was published in 1958 and the screen version was released in October, 1959.
On the surface, everything is pristine and perfect.
“42” seems to have a few elements working against it: It’s highly reminiscent of “The Impossible Planet”/“The Satan Pit” from Season Two.
So much of what happens to Don in “5G” hinges on information that has yet to be revealed that it’s premature to evaluate the episode within the context of the series.
Big Love is obsessed (sometimes too obsessed) with the notion that our public faces conflict with the faces we wear in in private.
Revelation takes many forms, and David Milch chooses a more subdued and implicative tack in closing out this chapter of the show’s narrative.
It’d be all too easy to write off “The Lazarus Experiment” as Season Three’s transitional episode.
The last act of “New Amsterdam” contains what are probably my favorite Mad Men scenes to date.