Ted Koppel’s post-Nightline career has barely started, and already it’s shaping up to be as valuable as the one he left behind.
Talented filmmakers working on material from genre aficionados, yielding uneven results.
The blogosphere being what it is, I’m sure the expiration date on Golden Globes commentary has passed.
I’ve just been formally relieved of TCA Press Tour duties by my colleague Alan Sepinwall, who will be covering the second half.
“When I was a kid, there was a tremendous saturation of westerns on television,” said Hill.” “All things pass.”
At a Court TV dinner, James Ellroy said he’d seen three hours of unedited footage from The Black Dahlia.
Also check out Armond White’s column, in which he beats down Woody Allen.
At times, it’s difficult to determine if Arrested Development is good or just really fast.
Curb Your Enthusiasm is not unlike an absurdist comedy riff on Henrik Ibsen’s An Enemy of the People.
While Extras doesn’t follow the documentary format of The Office, Merchant and Gervais do rip themselves off a bit.
With scripted shows making even more of a comeback this season, viewers might be better off switching to My Name is Earl.
Supernatural’s shortcomings could have been mitigated were its plotlines authentically scary.
Marc Cherry and his cohorts intend to say something profound about suburbia with their outmoded view of womanhood and the places they call home.
For the last few seasons, the creators of Will & Grace have stopped at nothing to boost ratings.
Like Lost, the show seems predicated on an unsustainable premise.