The true-crime docs here expose the rot at the core of many of our venerated institutions.
Mad Men ends its first season on one hell of a high note, with what is probably the series’s most Sopranos-esque episode yet.
The episode’s weakest material concerned the Bennett family, still stuck in suburbia.
Kennedy and Nixon, in the context of this episode, represent dueling visions of America that have been dividing our country for more than 200 years.
With the sixth episode of its debut season, Torchwood’s identity crisis continues.
The actors bring authenticity to what is otherwise a hysterical, Dynasty-style vision of Cuban-American experience.
The Tyra/Landry scenes, I’m pleased to report, are about as good as they could be.
Overall, “Kindred” struck a worryingly dull note, slowing plot development to a crawl and keeping the overall fun quotient pretty low.
The long-awaited second season premiere of The Boondocks indulges in all of the show’s worst tendencies.
“Small Worlds” presents an undeniably affecting story. The problem is, it has practically nothing to do with Torchwood.
I’m a little divided about the new credits sequence, which adds a more explicitly jubilant note but also seems just a little too energetic.
There are a lot of things to admire about Doctor Who’s audacious third season finale, “Last of the Time Lords.”
I bet I know why you’re not watching, and I hope I can convince you to at least give it a shot.
Pete has the gun in his hand—now, the question is how much damage he can do with it.
im Kring and his writers seem intent on exploring the reasons and logic behind their superpowered universe, and the implications in terms of human evolution all this has.
The wall-to-wall Ianto would be enough to bury this episode, but Chris Chibnall, the series’s lead writer, keeps piling on.
It’s difficult to discuss Doctor Who’s penultimate Season Three installment, “The Sound of Drums”, without also talking about the events of the episode that follow it.
This week’s episode was particularly notable where geeky continuity-oriented details are concerned.
The episode subjects us to a lot of slow-moving exposition and fuzzy hints about overarching mysteries that won’t be resolved for months to come.
Let me get my nitpick out of the way: they’re running around again.
If “Blink” was the perfect standalone episode of Doctor Who, then “Utopia” is just the opposite.