The show is at its best when it examines the questions that Susanna Kaysen did in her memoir.
If the already terrific Something Something Über Alles were a multimedia production it would be Obie Obie über alles as well.
Any native of a downtrodden city will tell you that there’s an undeniably authentic quality to the work here.
Nothing could have prepared me for Rapp’s chilling, unrelentingly committed glimpse into dystopia with Nursing.
The joy of watching Daniel Kitson comes from the performer’s own (very British) love of language.
You can’t swing a cat in this town without hitting a theater with a dysfunctional family drama, and this one even has the kitty to prove it.
Adam Bock’s plays need to be handled as delicately as someone balancing an egg on a spoon from room to room.
‘Tis the season for surreal culture shock.
Haunted might have benefited from more claustrophobic surroundings.
The top-notch ensemble that breathes life into these characters is compelling both for individual artistic talent and team workmanship.
David Duchovny orchestrates Neil LaBute’s new play like a virtuoso.
Ghosts in the Cottonwoods is without question some of the most raw and intestine twisting theater happening in New York City right now.
Those who just can’t get enough of ace actor Michael Shannon can now get nothing but him.
Star wattage seems to be the new energy source powering Broadway.
Wagner knew that the search for a hero who can keep the darkness at bay while protecting us from the forces of evil is something that all people can get behind.
How do you want it: long and slow or hard and fast?
Another season, another round of Brit transfers
When Alex Timbers was 12 years old, he and an elementary school buddy had their own public access cable show in Manhattan.
Perhaps the most shocking aspect of provocateur Ivo van Hove’s slick remounting of Lillian Hellman’s The Little Foxes is that it really isn’t that shocking.
As the economy crumbles all around us, Depression-era nostalgia is in the air.
Busch discusses playing a mother superior in his new play, now at the Soho Playhouse.