Every kid in Shakespeare High has a true underdog story to tell.
Overall, the film works better as a collection of beautiful images rather than as a cohesive narrative.
This is an international story about lies, deceit, and the powerlessness one must accept when living abroad.
Julien Leclercq’s The Assault works hard at finding its human factor.
Rabies is a witty, darkly comic, yet sometimes oddly sentimental recalculation of well-entrenched Western genre conventions.
em>Two Gates of Sleep is a sparse and meticulous ode to the ritual of family and the sometimes-perverse nature of the last request.
Jon Chu’s Never Say Never is the story of a YouTube fairy tale manifest.
The film is the visual and aural chronicle of the decline of a routine and rhythm that has existed for hundreds of seasons utterly undisturbed.
The film feels as if it suffers from the same general ennui that its characters love to affect.
As Mattie might say, in her almost biblical sense of wisdom, an eye for an eye, no pun intended.
Ghosts in the Cottonwoods is without question some of the most raw and intestine twisting theater happening in New York City right now.
I wonder if Zuckerburg likes Thai food.
Wagner knew that the search for a hero who can keep the darkness at bay while protecting us from the forces of evil is something that all people can get behind.