McElwee discusses, among other things, his new film and staring down the loss of his son.
We recently caught up with Kahane and Bockley to chat about February House, a musical based on Sherill Tippins’s book.
We spoke with the young and talented filmmaker about his new film, Laurence Anyways, his fascination with Titanic, his use of music, and more.
The conversation unfailingly circled back to politics, and the little matter of Barack Obama coming out in support of gay marriage.
Franco gives an interviewer much more material with his looks and demeanor than with his words.
The most dramatic thing that happens in playwright Amy Herzog’s 4000 Miles occurs at the beginning of the play.
She’s perceptive and drawn to unnerving work that can help extract that tough talent she keeps hidden off screen.
His appearance screams “thinking man” and “casual cool” at once, and that’s essentially echoed by what he has to say.
Marston doesn’t take the easy road. Perhaps that’s what makes him—and his films—so compelling.
We spoke to him about his upcoming solo shows, the painstaking metaphysics of songwriting, and how three year olds occasionally come up with the best titles.
On the phone from L.A., the writer-director chatted with Slant about his experience making Rampart.
We caught up with Bromberg to discuss what it’s like playing for drugged-up audiences and how the profession of being a touring musician brings out masculine angst like no other.
There’s something both odd and reassuring that the most hyped young horror director in America today is a full-blown classicist.
No longer very keen on courting Oscar, Soderbergh has turned to genre films that get the blood pumping.
Wiseman spoke to us about working with William Castle, the clash between art and commerce, and the documentary power of the Marx Brothers.
Birkin literally incorporated Serge Gainsbourg’s ghostly presence Saturday night at the Luckman Fine Arts Complex in Los Angeles.
Alfredson’s and Straughan’s dialed-back, demure technique was also adopted by Oldman and Firth for their performances.
One of this season’s hottest tickets is a site-specific theater piece entitled Elective Affinities.
Don’t be misled by the warm smile and the fedora in the photograph.
His magnetism is firmly tied to his superior, switched-on performance capabilities, of which his rugged good looks are but a bonus.
Topics of our conversation included working with Martin Scorsese and getting late-night phone calls from Stanley Kubrick.