McElwee discusses, among other things, his new film and staring down the loss of his son.
Mandvi talked to us recently about the play and his role as the lawyer.
With his signature beard and singular charm, one can’t help but want to have a beer with Kyle Kinane.
O’Hara spoke to us recently about his collaboration with actor-playwright Colman Domingo.
Hawkes hasn’t had a typical career trajectory, and for a while, he didn’t seem the sort to headline his own project.
He’s one of those directors who people love or hate; indifference is hard to imagine.
Odds are strong that his knack for reinvention will require from you a high degree of flexibility and openness.
The filmmaker’s latest creates an aura of intrigue, mostly from documentary footage aided by an ominous voiceover.
Ratanaruang sat with us last year to discuss how he created Headshot’s tense and poetic visual vocabulary.
Thomas is back on Broadway in the Manhattan Theatre Club’s revival of Henrik Ibsen’s An Enemy of the People.
Currently appearing in Josh Radnor’s Liberal Arts, Janney is the actorly equivalent of jumper cables.
Paradise: Faith the freshly anointed winner of a special jury prize at the 69th Venice International Film Festival Jury, where our conversation took place.
The actresses quickly prove that inside-joke-filled bonds are par for the course with close-knit movie shoots.
Sachs, a longtime resident of the Big Apple, dreams of creating a queer-arts renaissance in his adopted city.
Zobel seems downright timid for a man who filmed his sympathetic heroine doing naked jumping jacks for a phantom authority figure.
Caroline Martel’s video installation Industry/Cinema places ephemeral films alongside more familiar ones.
Are the demons that fed Tarnation’s making still present? Is it still, as Renee recites in the film’s closing moments, a beautiful world?
We recently spoke with the actor about his career and his current role.
At La MaMA, a group of downtown artists have concocted a theater piece that aims to take the sting out of death.
The Mexican auteur discusses all that’s unspoken in this poetic vision.
We spoke with Vinterberg about the experience of making The Hunt, our world’s changing values, and the modern-day witch hunt.