The film suggests David Lynch’s masterful mindfuck Inland Empire for the influencer set.
Until recently, Claude Sautet’s Classe Tous Risques was a long forgotten noir relic.
There are no mysteries in Rawson Marshall Thurber’s The Mysteries of Pittsburgh
If the filmmakers remain a largely passive on-screen presence, they soon find they’re not entirely unaffected by the project.
Beautiful Losers details the 1990s rise to semi-prominence of a group of anti-establishment, do-it-yourself NYC artists.
For Ebert’s Bigger Little Movie Glossary, the film seemingly campaigns for the addition of “Screaming Inside Your Vehicle at the Car Wash.”
Breillat discusses literary adaptations, Argento’s formidable force, and French cinema’s shortage of matinee idols.
Sara Taksler and Naomi Greenfield are an inspiration for aspiring indie filmmakers.
Never handheld, the stationary camera also deftly captures the poetry of monotony.
Adobe Youth Voices is a global philanthropic initiative to empower youth in underserved communities.
As a writer, Mike Myers still hasn’t figured out how to make characters who aren’t just funny variations of himself.
Expired coasts along on a distinctively odd wavelength.
Sweet November for the nursing-home set, Elsa and Fred is sentimental mush cooked up with extra syrup.
Peter Tolan’s film is a clumsy mashup of Leaving Las Vegas and Hardcore.
Marvel and M. Night Shyamalan attempt to atone for their purported sins with The Incredible Hulk and The Happening.
It’s often been said that Cyd Charisse was the greatest female movie dancer.
Preserving a judicious silence interrupted by occasional ill-timed bleating on my behalf, part two is super-delicious and crunchy.
Six diverse women attempt to shape their country’s future in Julie Bridgham’s affecting documentary.
Scott Prendergast’s understanding of the body as image and form of branding enriches Kabluey with a striking ambiguity.
Hip-hop and basketball have never been so uninspiringly brought together as they are in Gunnin’ for That #1 Spot.
The film is at its best when it dares to show us details of his character rather than the technical wizardry that enabled him.