The film suggests David Lynch’s masterful mindfuck Inland Empire for the influencer set.
Rebuilding captivates as it finds contentment sitting in the silence and stillness of a scene.
‘Companion’ Review: Drew Hancock’s A.I.-Themed Thriller Is Filled with Existential Dread
The film trenchantly satirizes 21st-century romance while delivering the gory genre goods.
A simplicity of spirit guides writer-director Isaiah Saxon’s fable-like feature debut.
‘Picnic at Hanging Rock’ Review: Peter Weir’s Ethereal Portrait of Young Lives on a Precipice
The film’s sun-hued, bucolic images convey nature’s eerie, ambivalent power over all.
‘The Dating Game’ Review: Violet Du Feng’s Scattered Look at China’s Loneliness Epidemic
As it jumps from topic to topic, the film leaves one feeling as if it has no center of gravity.
‘The Things You Kill’ Review: A Thrilling Murder Mystery About Becoming What You Fear
Alireza Khatami’s film is a subtly enigmatic examination of the nature of masculinity.
Gianluca Matarrese’s documentary is movingly premised on the responsibility of witness.
Russ Meyer was a veritable one-man band.
It’s in the VR world that the film best conveys its themes of modern intimacy and alienation.
Clearly the marketing of Flight Risk’s 4DX theatrical option is an act of overcompensation.
Much of Quentin Tarantino’s still underrated 1997 crime film hits you on the rebound.
Eggers discusses the film, its origins, and how the story was received in its birthplace.
‘Inheritance’ Review: Neil Burger’s Vérité-Style Thriller Starring Phoebe Dynevor Falls Flat
Inheritance’s bizarre mismatch of form and content mostly saps it of life.
The film indicates a remarkably fully formed cinematic sensibility, for both better and worse.
With these films, Hollywood’s most talented video clerk blossomed into a great artist.
Yamada’s animated film suggests great depths through withholding.
Sasha Rainbow’s film loses all momentum once the face-swapping kicks into motion.
Lynch understood that many of the fantasies he loved were built on nightmares.
Keke Palmer and SZA throw it back in more ways than one in this breezy comedy.
Seth Gordon’s film is largely, and awkwardly, beholden to the most banal of spy tropes.