Raimi’s film is zeitgeisty without being ostentatious about it.
The longer the film continues, the more nuanced our picture of Natchez grows.
This finely shaded character study feels more than anything else like an existential parable.
The film could be seen as a show of Buddhist acceptance of art’s transience.
Green’s continually, and slyly, confronts us with our mortality.
The film spares some thought for the big questions of privacy, policing, and A.I.
Gans’s film does away with all the psychosexual nuance of Silent Hill 2.
The battles are just heating up.
Between various ritual scenes, Mother of Flies gives us minimal drama.
The film starkly reveals the toll propaganda takes on everyday individuals and communities.
This action thriller, starring Matt Damon and Affleck, makes for an enjoyably retro diversion.
Ryan Prows’s film comes across as just straight-up exploitative.
The Bone Temple doesn’t pack the moment-to-moment kineticism of the prior films.
Boonbunchachoke’s defense of historical memory couldn’t be more timely.
The film pays profound tribute to the perseverance of its subjects.
Birney discusses where he sees connective tissue between cinema and video games.
Greenland 2 plays out as a much more generic thriller than its predecessor.