There’s an enigmatic quality to the role of Nolan in the current filmmaking landscape.
For me, movies approximate a dream state.
Miller discusses Jones and his other film work, including the upcoming God’s Land.
“It’s a neighborhood movie,” says Jim Mickle, director of Mulberry Street.
Another trend that persists is the allotment of at least one spot to a Sundance prizewinner.
The filmmaker proved to be most sensitive, contemplative and articulate about this powerhouse debut.
Up-and-coming district dive the Rock n’ Roll Hotel hosted the show, surely the biggest of the venue’s 18-month existence.
Love Actually actually is the greatest modern Christmas movie.
It’s Patrick Wolf who earns our pick for Album of the Year for following two impressive records with one that’s even more extraordinary.
It was a blast from the past that incited the most ardent critical passion: Killer of Sheep.
It became apparent pretty quickly that Lennox is a bit mad—in the best possible way, of course.
Willis has four kids at home, and with Translated from Love, she was ready to put on her dancing shoes and have a little fun.
Kenna Zemedkun is a pop artist with something to prove.
The last time I saw Harvey perform live she had just released an album half-dedicated to a city whose tallest buildings still stood in the financial district.
When I assured her no one else was listening in on the conversation, she said: “I’ll just choose to believe you.”
The Last Winter’s hard-hitting resolution appeals to the conscience of the viewer, as does Fessenden’s lingering mood of introspective melancholy.
By most accounts, this year’s New York Film Festival is one of the strongest in years.
It isn’t until you’ve been granted full press access at the Toronto Film Festival that you realize this really is a people’s festival. I
What so incensed McCarthy?
The film is an eye-popping pageant parade masquerading as rapturous religious art.
He’s a rapper, a label head, a man with a hard-line manifesto.