There’s an enigmatic quality to the role of Nolan in the current filmmaking landscape.
The theme of male apprehension either transcended or succumbed to, but always deconstructed, is at the jazzily dendritic core of the “Moral Tales.”
In all of his films, Todd Haynes takes elements of gaudy tabloid culture and warps them to his own purposes.
The Jornada Brasileira de Cinema Silencioso, just completing its fourth year, is one of the world’s most prominent silent film festivals.
You couldn’t help but sympathize with the event DJs at the Manchester Academy last Tuesday night.
Michôd sat down with Slant to discuss the infamy encapsulating the Melbourne crime circuit and premiering his first feature film at Sundance.
This review isn’t about the business side of things. It’s about the music.
Robyn has reached the point in her career where she’s no longer obligated to dust off her ’90s hits.
Regardless of what you may think of Ken Russell’s movies, the English iconoclast filmmaker is without doubt a true original.
The 1992 release of Orlando propelled director Sally Potter to forefront of independent filmmakers.
Reed speaks about Prodigal Sons and its complexities, cinematic, familial, and otherwise.
We met up with them between shuffleboard matches to learn about their upcoming show.
We hope this list helps direct readers to sites of note.
The transition of his character into the Establishment in Easy Street identifies a critical component of his characterization of the Tramp.
Mann loved the west like he loved Greek tragedy or Shakespeare, as an arena for moral and visceral conflict, so intense as to become mythical.
One can’t help but think Werner Herzog would be tickled pink by both the doc and the rebel director behind its lens.
Both All About Eve and Sunset Boulevard are the kind of movies that one hopes, 60 years later, would seem like dated time capsules from an earlier era.
Shear sat down with us recently to talk about her new play.
The business was started when Al Mayles and his wife, Gillian, moved from the Upper West Side to Harlem five years ago.
A sex-toy Pinocchio? Offenbach’s Olympia as an inflatable courtesan? If only.
Rope in particular is “minor” in large part because Hitchcock created so many majors.