We ranked the Queen of Pop’s discography, from her self-titled debut to Confessions II.
Burnett discusses why it remains so important to show Black life as it is.
Aster discusses what his pandemic-era dark comedy has to say to audiences in 2025.
McGovern discusses revealing the vulnerability behind Gardner’s glamorous public facade.
Serra discusses how being close to a torero taught him to take risks in his work.
These films are a rebuke to those who reduce humanity to dollar signs.
Our favorite games of the year released thus far present a fairly strong argument for not rushing.
These albums reflect a collective mood that’s far more nuanced than the almighty algorithm would have us believe.
Expect more than one of these games to become breakout hits in the upcoming year.
The writer-director-actor discusses how the film is in conversation with other depictions of sexual assault.
Friedland and Chalfant discuss aesthetics adding empathy to the recreation of dementia.
Jarvis discusses the at once tender and menacing shape he gave to his role in the film.
To celebrate the album’s 30th anniversary, we’ve ranked every track of the singer’s sophomore effort.
This season’s biggest surprise and delight is poised to make a clean sweep.
Anderson and Cera discuss why they reject the film being classified as “deadpan.”
Mission: Impossible is the perfect embodiment of Tom Cruise’s illegible reputation.
Skinner and Baram discuss coming out, sex on campus, and their show’s bratty soundtrack.
Jia discusses why he thinks the shifting nature of society has also shifted our conception of time.
Potrykus discusses ’90s nostalgia, his favor-based production method, and more.
Saxon discusses what he sees as the relationship between technology and nature.
Kulumbegashvili discusses why she wants to sabotage expectations every time she makes a film.