The festival’s greatest singularity is two-fold: its lack of pretense and judicious curatorial eye.
Paravel and Castaing-Taylor discuss how gut instincts guide their editing process.
Check out our ranking of all the Palme d’Or winners since 2001.
Goldhaber and Barer discuss their hopes for how audiences will respond to the film’s radicalism.
Kelly Reichardt conceives of the scale needed to make and enjoy meaningful art.
It turned out that the absence of so many major publishers from the convention was a blessing.
Rockwell and Taylor discuss what constitutes good change in New York City and more.
Mark Jenkin discusses the geographic and philosophical underpinnings of his work.
We’ve ranked all nine of the singer’s albums, including her latest, Did You Know That There’s a Tunnel Under Ocean Blvd.
The Dardennes discuss where the film fits in with their work at large.
At this year’s BFMAF, the lines between documentary and fiction were blurred in productive and challenging ways.
In 1998, the Queen of Pop flung herself like a whirling dervish into a genre whose commercial prospects were uncertain at best.
We took a look back through the singer’s catalogue of hits and picked her 20 best singles to date.
One might say that the IFFR puts the “jaws of life” to the test on cinema.
Hansen-Løve discusses her approach to autofiction, her characters’ vocations, and more.
Eisenberg discusses the relationship between his feature directorial debut and Fleishman Is in Trouble and his Oscar-nominated turn as Mark Zuckerberg in The Social Network.
There’s every reason to expect Oscar to keep on Oscaring as it’s always done.
Diop discusses her aesthetic choices across editing, costuming, and sound design.
Simón discusses her approach to reflecting the gender dynamics of rural Spain and more.
These shows range from revitalizing revivals to redemptive restagings of undervalued gems.
Is the music video dead (again)? These 10 videos prove that the answer is a resounding “no.”