The festival’s greatest singularity is two-fold: its lack of pretense and judicious curatorial eye.
You should buy a ticket at your local rep house for each title you buy, lest we run out of titles to laud here in the future.
Marie Kreutzer discusses her take on Sissi and how she approaches writing historical fiction.
While some boogie-inspiring electronic music impressed us this year, we were more transfixed by synthetic sounds.
The worse the times, the better the horror.
The best hip-hop albums of the year covered a wide variety of styles, modes, and moods.
These sequences wielded the tools of cinema to make themselves unforgettable.
Hong Chau discusses acting between the lines and balancing work and parenthood.
If cinema is in a state of identity crisis, we’re all the beneficiaries.
Rumors of streaming’s demise are premature, as nearly half of the shows on this list are streamer properties.
With an industry in a constant state of flux, the battered-but-not-beaten album format still reigns supreme.
Dig in, whether you’re hearing these songs for the first time or the hundredth.
Collectively, these games make a loud statement: that it’s too late in the day to let gaming stay stagnant.
Greenaway discusses his ideas about cinema and the limitations of text-based filmmaking.
Skolimowski and Piaskowska discuss how emotion guided all of their creative choices.
Guadagnino and Russell dicuss what they learned about America during the film’s shoot.
Wiseman discusses the shooting the film, Sophia Tolstoy’s novels and letters, and more.
Swift and Antonoff’s work together has, more often than not, resulted in pop magic.
Hare discusses his particular take on Robert Moses and the kind of theater he favors.
Gray and his teen actors discuss their understanding of the 1980s, pinpointing one’s sense of process and style, and more.
The best horror films insist on the humanity that’s inextinguishable even by severe atrocity.