Mostly remembered for its plot twist, Jordan’s film is marked by a deep sense of empathy.
Clair’s delightful, creative romantic comedy looks better than ever thanks to the Criterion Collection’s excellent A/V transfer.
Kino has taken some imperfect yet heroic steps to restoring Orson Welles’s The Stranger in all its brilliant, subversive grandeur.
This transfer of Dolan’s bracing melodrama is just okay, but the good news is that Laurence Anyways is now widely available in this country.
The 35th anniversary Blu-ray release of Halloween will do the job until the inevitable 40th, 45th, and 50th anniversary releases.
The work produced by Rossellini and his muse would do nothing short of usher in what we now know as the modern cinematic age.
This is an otherwise solid presentation of a beautifully perverse noir staple.
Coppola’s beguiling, expertly directed true-crime tale nabs a fantastic transfer from Lionsgate.
Ascher’s film gets a sterling Blu-ray transfer and some illuminating extras from MPI Media Group.
Warner finally brings Vidor’s innovative war film to home video with one of the strongest transfers a silent film has yet received.
Shout! wasn’t quite able to rouse itself up to its typical standard with set, which is understandable considering the dullness of the films.
The film’s sly humor and eye-popping production design are enough to recommend it to devotees of European horror cinema.
Carpenter’s most underrated, possibly best feature finally receives its due at the hands of Shout! Factory.
Criterion doesn’t slack on the extras with their Blu-ray upgrade of Linklater’s shaggy-dog ode to one mixed-up generation.
Cohen Media Group continue their winning streak with the digital home-video debut of Jean-Pierre Melville’s little seen but influential 1959 tribute to American film noir.
Norman Bates gets out of the funny house and reacquaints himself with the tedium of a day job. It doesn’t go well.
This rich and gorgeous disc damn near rectifies this film’s nearly unforgivably indifferent theatrical release earlier in the year.
Criterion dolls up Molinaro’s spirited international hit with a routinely excellent A/V transfer and a smattering of hugely entertaining extras.
Any real zombie fan knows that political parable and decomposing cannibal corpse gore go together like peanut butter and jelly.
If only we lived in a world where production values counted for everything, Boardwalk Empire would be some kind of masterpiece.
The film remains a fascinating sampler of Bergman’s most brilliant and troubled tendencies.