Mostly remembered for its plot twist, Jordan’s film is marked by a deep sense of empathy.
A mixed bag for a career masterpiece, this Blu-ray gets some things wrong in terms of authoring.
If you think you know the documentary-essay-sketchbook genre, Gorin proves that there’s always a little more country to undiscover.
Lucky McKee fans should generally be pleased with this beautiful Blu-ray transfer of his ambitious, uneven new horror film.
Part case history, past surrealist prank, Luis Buñuel’s Belle de Jour gets a stunning new Blu-ray transfer.
Sail the high seas of Jean-Luc Godard’s historical imagination with Kino Lorber’s impeccable Blu-ray transfer.
The primetime debut of one of Criterion’s indies-in-residence, Soderbergh’s Oscar-winning drug war epic gets a terrific HD upgrade.
The film is a disappointment, but it happens to be one of the more invigorating disappointments of the past year.
The show constantly whets the viewer’s appetite without fully satisfying it.
This is a decent transfer of a lovingly detail-oriented period melodrama, from one of its finest contemporary practitioners.
Tarr’s masterful direction and austere cinematography make the film an indelible experience.
A little context would have helped, but it’s a very honorable transfer of another quiet, seismic tremor from a Korean master.
Sony handles the second season of FX’s exemplary neo-western series beautifully in terms of technical transfer.
Worth picking up for the nerds who hope to be at the center of a vampire-hunting blood bath.
I’m sure Andy Serkis is satisfied cashing his checks for what will surely be a lucrative new job.
Like Fox’s Blu-ray transfer of Archer’s first season, the visual treatment here is generally jaw-dropping.
One of Jim Carrey’s weakest efforts gets an admittedly attentive Blu-ray treatment.
Archer is, err, a spytastic series. Damnit, I had something for this.
Fable-like, if not exactly fabulous, Midnight in Paris gets shoved onto shelves in a barebones edition from Sony Pictures Home Entertainment.
Suzuki’s stark, spastically existential crime-flick abstraction unfurls like the director’s cracked self-portrait.
Intruder is a visually inventive little-known latecomer to the slasher cycle.