Babyface makes it clear that he’s going to “keep it grown, keep it sexy.”
Elisabeth Hasselbeck of ABC’s The View proposed this morning that child molesters should be put “in the ground.”
Just how far will she go? Killing babies, perhaps? Hmmm? Kitten soup?
The Understanding plays like a storybook romance.
The Free Design layered intricate folk harmonies with baroque pop, jazz melodies, and bossa nova rhythms.
TP.3 Reloaded represents everything that’s wrong with mainstream hip-hop and R&B today.
Bravo’s Being Bobby Brown purports to chronicle the former New Edition member’s return to the music world.
Esthero’s music will undoubtedly be a prize for any pop fan that finds it.
The venue was filled with a mix of hardcore fans, label scouts, and curious out-of-towners.
Innaway doesn’t make the kind of music you’d expect to come out of Orange County in 2005.
Lisa Kudrow keeps a safe distance from Phoebe Buffay while retaining all of her comedic quirks.
If Elephunk was manically captivating, Monkey Business is virtually unlistenable.
With We Will Become Like Birds, singer-songwriter Erin McKeown strays even farther from her folky beginnings.
Sadly, in some instances, the acoustic versions actually accentuate the original album’s weaknesses.
The one thing the album is not is full of itself.
At long last, can’tneverdidnothin’ sees the light of day, but it’s not the version Costa originally recorded.
If cartoons truly are a reflection of the times, then Gorillaz are unabashedly 2005.
Didn’t Weezer used to strive for something more?
While With Teeth satisfies in all the expected ways, not much has changed in Trent Reznor’s world.
Martha introduced herself and discussed, among other things, acting, feminism, and Oprah’s influence on her new song “TV Show.”