Spider-Man 2 is a superhero flick bursting at the seams with big emotions.
The film is slim pickings compared to Heathers, but it makes mincemeat out of 13 Going on 30.
It’s easy to see what attracted Guillermo del Toro to Mike Mignola’s Hellboy comic: its hopeful humanity.
If you don’t buy this DVD for the lousy video transfer, at least buy it for the critics quoted on the cover (wink, wink).
Think Let’s Scare Jessica to Death by way of Misery. Twin Peaks fans will want to pass.
Don’t be fooled by The Prince & Me’s questionable marketing campaign.
Vanessa Daou and Erica Jong: a match made in a labyrinthine vagina that’s as juicy and welcoming as it is intimidating and demanding.
There is a place and breaking point for everyone here, and Foolish Wives is disillusionment von Stroheim style.
Patrice Chéreau cuts to the core of human agony with the kind of precision that escapes most living directors.
This release is notable for the commentary track by director Billy Ray and former New Republic editor Chuck Lane.
Even if you don’t think the film deserves this Platinum Series package, you have to admit that New Line knows how to cater to its audience.
Studios need to stop putting Earl Dittman quotes on the cover of their DVDs or I will never review their product ever again.
Wouldn’t it have made more sense for Paramount to put Erika Christensen’s Wuthering Heights on the DVD for Beyond Borders instead?
I’ll say it again: Isn’t this more or less a teaser for the inevitable DVD package containing all three films?
DTS surround tracks are still unfortunately rare, but more troublesome are the select films that are bestowed with them.
Strictly for people who don’t care about aspect ratio and know nothing about animation and Native American culture.
Throughout, Michael Haneke’s images are profoundly evocative of his moral and philosophical preoccupations.
You get a sense while watching the film that Gibson would flog each and every one of us if it brought us closer to God.
Bruno Dumont is clearly fascinated by America’s wide-open spaces, and much of Twentynine Palms is a love poem to the way we look at the world.
Matthew Ryan Hoge’s film is Sundance twaddle of the highest degree.