Its images of gulags, public executions, and private beatings will not be easily forgotten.
The film’s disparate genre elements have been cobbled together with little consideration or fuss.
A fascinating metacommentary courses beneath the film’s emotional storytelling surface.
Amenábar’s film is a work of intoxicating, subtly ominous beauty.
Criterion has outfitted this seminal biopic of Ritchie Valens with a strong slate of extras.
A solid commentary track and handsome transfer should help raise this underrated film’s stock.
In the instances where it’s not going hard, Dicks is a surprisingly flaccid affair.
Frankenheimer’s beautifully mounted and intelligent film gets a nifty A/V boost from Kino.
The A/V presentation makes this a worthy addition to any Bowie fan’s home video collection.
The film is a potent examination of the power of art and love in the midst of social upheaval.
The go-for-broke energy of Emma Seligman’s film makes it consistently infectious.
Wang’s tender domestic melodrama gets a beautiful transfer courtesy of Criterion.
The demon here serves as a perfect metaphor for the film’s frustratingly nebulous qualities.
André Øvredal’s film is largely devoid of any palpable atmosphere or tension.
Meg 2 is well served by deliriously dialing up the camp factor.
Lang’s underrated noir elegantly toys with noir tropes and subverts our expectations.
Dunye’s feature debut remains as sensual, funny, and incisive as the day it was released.
One of John Ford’s most haunting and poetic films receives a beautiful transfer.
The film feels like sitting through acting exercises where everyone is giving it 110% every take.
Joy Ride represents a win for representation, but it never forgets that it’s a comedy first.