With a strong image upgrade and an additional commentary, Arrow’s 4K release of Deep Red outdoes their already very impressive Blu-ray.
Often lost in the shuffle of his early masterpieces, Satyajit Ray’s remarkable Devi gets a sparkling new transfer from Criterion.
Agony and ecstasy walk hand in hand in Lynne Ramsay’s feature-length directorial debut.
The film celebrates individuality even as it suggests that everyone needs their own A.I. tech to validate everything they like and think.
The discursive nature of the Surrealist parlor game exquisite corpse mirrors the way that power flows in Francesco Rosi’s films.
As far as improvements go, Michael Myers’s revitalized brutality is arguably the only successful one that Halloween Kills makes.
Gina Prince-Bythewood’s intimate 2000 drama gets a snappy new transfer and a virtual cornucopia of fantastic extras.
Criterion’s Blu-ray release of Neil Jordan’s Mona Lisa offers a superb upgrade on the A/V front and a few new extras to boot.
Imprint’s Blu-ray is further proof that Terence Malick’s sophomore feature is among the most visually dazzling films ever made.
The Straight Story receives a stellar release from Imprint that boasts a beautiful transfer and great slate of extras.
Birds of Paradise lacks the nuance and finesse needed for its story to really take flight.
The film persuasively sheds light on the grievances of the Palestinian people that have long fallen on deaf ears.
The Eyes of Tammy Faye exists only to allow its performers to run in pyrotechnic circles around each other.
The film is elevated by funny, cleverly staged sequences, but it too often hammers the notion that fame destroys authenticity.
The strong A/V presentation and slate of extras are reason enough for even Netflix-subscribing fans of the film to shell out for this release.
The film upends the clichés that practically define the ghost story in surprising and intriguing ways.
Arrow’s wonderfully curated box set is the perfect prescription for anyone looking to expand their giallo horizons.
The film’s gore is just as likely to invoke fear as to serve as a killer punchline to one of Rodo Sayagues’s set pieces.
This paean to undying love stands as one of the strangest, most beautiful Hollywood films of the 1930s.
There’s so much discernible IP baked into Shawn Levy’s film to make its calls for artistic ingenuity feel hypocritical at best.