Despite its title, the film captures little of Katherine Parr’s supposed fervor or fortitude.
Together, these films constitute a complex, interlocking portrait of Senegal’s past and present.
The film is mostly content to see its protagonist as an implacable force of self-determination.
Radiance continues to shine a light on overlooked Japanese genre fare with this release.
Leone’s classic plays out, as the title infers, as a dream image of the cruel Old West.
These productions play like twists on the hyper-violent Italian poliziotteschi crime film.
Dogfight is pitched on the precipice of a massive sea change in American life.
Kino’s 4K UHD is sure to be the definitive home video release of High Noon for years to come.
Whenever Ryan Gosling and Emily Blunt aren’t on screen together, the movie magic dissipates.
Beyond its exquisitely granular precision, Kavtaradzė’s film is notable for its levity.
Flynn’s film is a lean, mean revenge thriller that could have only been made in the 1970s.
This trilogy shows just how versatile and highly entertaining the Japanese samurai film can be.
If you’re looking for flash and snark, Boy Kills World has them in spades.
Guy Ritchie’s action-comedy never quite settles on what type of film it wants to be.
Minhal Baig’s film delicately captures both the wonder and tunnel vision of adolescence.
Stack’s performance went a long way in cementing Eliot Ness’s legacy in the public imagination.
This release should catapult The Runner into the Western canon of great films about childhood.
Godzilla and Kong’s team-up is an inevitability, but the film takes its sweet time getting there.
Sourced from a new 4K restoration, Criterion’s transfer is quite gorgeous.
The film contains some of the gnarliest violence this subgenre of horror has seen in years.