Joy Ride represents a win for representation, but it never forgets that it’s a comedy first.
Review: Guy Maddin’s Tales from the Gimli Hospital on Zeitgeist and Kino Lorber Blu-ray
Maddin’s obsession with obscure Canadian folklore is evident right from the get-go.
The film increasingly gives into the sentimental clichés of the genre that it gleefully mocks.
The disc’s extras provide ample insight into a crucial period of artistic growth for Jenkins.
Twilight gets a stunning 4K transfer and a slew of fascinating interviews.
‘Indiana Jones and the Dial of Destiny’ Review: Raiding the Past for Joyless Nostalgia
The only past that Dial of Destiny is interested in plundering is the glory of its predecessors.
Review: Marleen Gorris’s Feminist Cri de Coeur A Question of Silence on Cult Epics Blu-ray
Gorris’s striking, provocative debut has lost none of its righteous, subversive force.
The Chilling Intelligence of Marcel Ophüls’s Epic Holocaust Documentary The Sorrow and the Pity
The documentary is a profoundly important takedown of idealized cultural memory.
The film matches stylistic experimentation with a multi-tiered narrative of equal ambition.
To the film’s credit, Savage imbues the proceedings with a good deal of visual ingenuity.
This set attests to the raw power and sociopolitical specificity of McQueen’s anthology series.
The film is a pointlessly complicated house of cards that crumbles due to its own hollowness.
Review: Sidney Lumet’s Classic Crime Drama ‘Serpico’ on KL Studio Classics 4K UHD Blu-ray
Half a century later, Sidney Lumet’s Serpico has lost none of its urgency and relevance.
Christophe Honoré’s film tackles grief in a subtle, intriguingly indirect manner.
Kino’s stacked 4K edition requires no deliberation before adding it to your shopping cart.
Warner has outfitted this classic tale of teenage angst and rebellion with a stellar transfer.
This 4K transfer improves on Warner’s 2008 home video release in every way.
Even by the standards of the poliziotteschi, these films are truly gritty and wild.
The film traces, to cosmic and absurd ends, how tragedy is birthed by, well, birth itself.
Laugh for laugh, the film stacks quite well against Lubitsch’s most lauded masterpieces.