Review: The Square

Throughout, it always threatens to put too fine a point on otherwise thrillingly indeterminate situational comedy.

Review: Western

The film’s unpainterly style reflects an ambivalent attitude toward the story’s capitalistic pro-growth machinations.

Review: Dayveon

It’s largely predicated on the idea of imparting a hyperreal sensuality to a region not often depicted on the big screen.

Review: Ascent

Fiona Tan’s comprehensive project discriminates against no particular era or pedigree of imagery.

Review: Brimstone

Its bid for social correctness does nothing to make the juvenile and numbing fixation on brutality more palatable.

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