The piercing supplements manage to contextualize an essential film without smothering it with over-explanation.
Journalist Mark Harris discusses Five Came Back and Hollywood’s past and present.
It exhibits a committed understanding of the cinematic value of silence and of underpopulated compositions.
The filmmaker discusses Arrow Video’s two new restorations of his seminal debut feature.
Throughout the documentary, the undisguised regret and longing of David Lynch’s reminiscences are often startling.
Five Came Back has a dizzying power that testifies to film’s advantages over prose as a medium.
It evinces a knack for locating society’s most awkward pressure points, and a willingness to punch them.
Director Kasper Collin imbues this documentary with an ambiguous, unsettlingly empathetic emotional force.
This preordained cult classic has been outfitted with a magnificently rough and colorful transfer.
The well-versed and distinctively empathetic audio commentaries render this Twilight Time release a must-own.
McLean discusses the pyrotechnics of violence, toying with an audience’s expectations, and more.
Suwichakornpong earnestly and ambitiously attempts to redefine cinema’s conventional grasp of consciousness.
The pacing is so funereal that it squelches the possibility of heat or conflict arising between the characters.
The film’s characters are stock types without enough satirical texture to fulfill their function in the narrative.
The French filmmaker is given to speaking of intuition in ironically ritualistic terms.
Júlia Murat’s Pendular revels in the tactility of everyday life as an attainable kind of exaltation.
Throughout the film, anecdotes continue to establish a point-and-counterpoint of danger and tranquility.
Mike Ott and Nathan Silver’s Actor Martinez has a ghostly, tremulous quality that’s bound to get under the skin.
Julia Ducournau exhibits a clinical pitilessness that’s reminiscent of the body-horror films of David Cronenberg.
Bart Freundlich alternates somewhat arbitrarily between his various plots, leaving a lot of loose ends in the process.