Itami’s “ramen western” is a zesty concoction that investigates the often surreal intersections of sex, death, and other human appetites.
Visconti’s magisterial character study receives a stunning 2K restoration and a brace of excellent supplements.
This dark satire on ownership and its discontents makes its Blu-ray debut with a remarkable 4K restoration.
Takashi Miike’s films get reasonably robust transfers and a few solid supplements from Arrow Video.
Ashby’s plangent fable receives a smashing 4K restoration and a fine brace of bonus materials from Criterion.
Waters’s film receives a pristine 4K restoration and some solid supplements from Criterion.
Confrontational and often corrosively funny, Elle gets a suitably subdued transfer from Sony Home Entertainment.
Emiliano Rocha Minter’s outrageously transgressive We Are the Flesh gets a solid transfer and some instructive extras from Arrow Video.
Linklater’s The Before Trilogy receive stunning 2K transfers and a comprehensive compilation of bonus materials from Criterion.
Psychomania roars onto Blu-ray with a colorful restoration and a few solid supplements from Arrow Video.
Suddenly in the Dark makes its North American debut with a reasonably strong Blu-ray transfer and some welcome bonus features.
Kino presents One Million Years B.C. in phenomenal 4K restorations of both the uncut international and U.S. theatrical versions.
Kino presents Verneuil’s compelling caper film in two newly restored versions, along with some top-notch extras.
The film makes its Blu-ray debut with a clean, colorful transfer from Lionsgate’s recently inaugurated Vestron Video Collector’s Series imprint.
The set boasts crisp new 2K transfers and a cornucopia of bonus materials, all wrapped up in one gorgeously designed package.
The Man Who Fell to Earth receives a serviceable 4K transfer and a bounty of bonus materials from Lionsgate Home Entertainment.
This bleak and blackly humorous film gets a sharp new 4K transfer and a handful of edifying new supplements from Dark Sky Films.
From its psychosexual explorations to its one-set location, We Are the Flesh is rigorously interiorized.
Clark’s holiday-themed shocker gets a striking 2K upgrade and a thick-stacked slate of extras.
Fellini’s hallucinatory Roma gets a pristine 2k transfer and a few meaty bonus features from Criterion.