Today, IFC has released the first trailer for the film, which is set during the colonization of Australia in 1825.
Kippers for breakfast, Aunt Helga? Is it St. Swithin’s Day already? No, it ain’t, dear. ‘Tis Downtown Abbey Day.
The teaser seems hell-bent on satisfying those who found the first film to be an over-directed succession of freakouts.
The film remains as legendary for its artistry as it is for the difficulty of its making.
Sonic the Hedgehog and Slant’s nine-year relationship has seen its ups and downs.
Both shows were joined in the Best Musical category by Beetlejuice, The Prom, and Tootsie.
The album settles into a torpor of self-examination that never rises above 120 beats per minute.
The video for Madonna’s new single is steeped in Portuguese and Latin-American influences.
The singer-songwriter returns today with “Cellophane,” her first single in over three years.
Ang Lee’s three-year marriage to the 120fps format appears to be in strong shape.
In addition to Directors’ Fortnight, the festival announced the films that would screen as part of the ACID lineup.
Netflix will release the series on May 31.
Perhaps as notable as what made the cut is what didn’t make it onto the lineup.
The secretiveness surrounding the project isn’t surprising given that Madonna has been the victim of rampant leaks.
The trailer for the photorealistic remake of the 1994 film is hellbent on proving that you can indeed step in the same river twice.
There’s a little Charlie Chaplin in the Joker’s steps early on, before madness grips him in ways that would probably make Pennywise shudder.
Yes, human pop song conveyor belt Ariana Grande dropped another new track today.
It will be exciting to see how Jarmusch takes his transcendence of genre conventions to its breaking point.
The singer’s new single moves her even further from her sparkly synth-pop origins.
The new season may just give you nightmares, though none that Sean Delaney’s accent can’t soothe.