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Game of Thrones Recap Season 7, Episode 2, “Stormborn”

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Game of Thrones Recap: Season 7, Episode 2, “Stormborn”

Helen Sloan/HBO

Game of Thrones Recap: Season 7, Episode 2, “Stormborn”

Once upon a time on Game of Thrones, Oberyn Martell made an oath to Cersei Lannister (Lena Headey), promising that her daughter, who'd been sent to Dorne as part of a marriage treaty, would be treated well: “We don't hurt little girls in Dorne.” After Oberyn's death, however, his vengeful lover, Ellaria Sand (Indira Varma), did precisely that, poisoning the innocent girl. Now, months later, Tyrion Lannister (Peter Dinklage) calls Ellaria to account for that, passionately arguing before Daenerys Targaryen (Emilia Clarke) that they be more than indiscriminate murderers. It's one of many callbacks to past actions that are brought up in “Stormborn,” an episode that's not only packed with intrigue, intimacy, and insanity, but also with a richness of history.

Game of Thrones Recap Season 7, Episode 1, “Dragonstone”

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Game of Thrones Recap: Season 7, Episode 1, “Dragonstone”

Helen Sloan/HBO

Game of Thrones Recap: Season 7, Episode 1, “Dragonstone”

Whenever Jon Snow (Kit Harington), the newly minted King of the North, seeks guidance, he thinks back to the words of his deceased father, Ned Stark. When it comes to whether he should punish the disloyal houses of Karstark and Umber, who fought against his rightful rule in last season's Game of Thrones episode “Battle of the Bastards,” he chooses not to hold the children responsible for the mistakes of their parents, and bulldozes his way past the more vengeful desires of his sister, Sansa Stark (Sophie Turner). Yes, Cersei Lannister (Lena Headey) has seized control of King's Landing and summons Jon to take a knee before her, and yes, Daenerys Targaryen (Emilia Clarke) has finally returned to her ancestral home at Dragonstone, but “Yesterday's wars don't matter anymore,” Jon announces. Winter is here, women and children will learn to fight alongside men—a prospect fully backed by the fiery young Lyanna Mormont (Bella Ramsey)—and gold is irrelevant. Only dragonglass (and Valyrian steel) can slay the marching armies of the dead.

Game of Thrones Recap Season 6, Episode 10, "The Winds of Winter"

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Game of Thrones Recap: Season 6, Episode 10, “The Winds of Winter”

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Game of Thrones Recap: Season 6, Episode 10, “The Winds of Winter”

The first three minutes of this week’s season finale of Game of Thrones set a somber mood—and with not a single word uttered, just the ominous tolling of a bell. That’s because words are somewhat beside the point. The trial of Cersei (Lena Headey) and Loras Tyrell (Finn Jones) has begun, and if one believes the High Sparrow (Jonathan Pryce), everything about this moment has been predestined. And so director Miguel Sapochnik wisely echoes that sense of fate, orchestrating every shot to the gradual crescendo of a classical choir, and providing hawkeyed viewers with an abundance of foreshadowing.

Game of Thrones Recap Season 6, Episode 5, "The Door"

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Game of Thrones Recap: Season 6, Episode 5, “The Door”

HBO

Game of Thrones Recap: Season 6, Episode 5, “The Door”

There’s been much talk of prophecy on Game of Thrones, but it’s usually in an abstract sense. After all, those who follow the Lord of Light, like Melisandre (Carice van Houten), have been wrong before, and the newest Red Priestess, Kinvara (Ania Bukstein), might be wrong about Daenerys being the chosen one. But she’s right when she tells a skeptical Varys (Conleth Hill) that God is never wrong, only sometimes misinterpreted by his messengers. Even more accurate is her observation that “Terrible things happen for a reason.”

Game of Thrones Recap Season 6, Episode 4, "Book of the Stranger"

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Game of Thrones Recap: Season 6, Episode 4, “Book of the Stranger”

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Game of Thrones Recap: Season 6, Episode 4, “Book of the Stranger”

According to the Book of the Stranger, the religious tome of the seven-pointed star from which this episode of Game of Thrones takes its name, death makes strangers of us all. Some, like the High Sparrow (Jonathan Pryce), take that to mean that there’s no point in the luxuries of life, and that we must instead do our best to simply live in peace. Others, like the masters of Slaver’s Bay, take the other extreme, finding meaning only by intensifying the anonymity of their slaves and thereby elevating themselves.

Game of Thrones Recap Season 5, Episode 7, "The Gift"

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Game of Thrones Recap: Season 5, Episode 7, “The Gift”

HBO

Game of Thrones Recap: Season 5, Episode 7, “The Gift”

A great many gifts are at the heart of tonight’s episode of Game of Thrones. As Jon (Kit Harington) heads north to liberate the Wildlings with Tormund (Kristofer Hivju), Sam (John Bradley-West) hands him the dragonglass dagger with which he slew a White Walker. Ramsay (Iwan Rheon) presents Sansa (Sophie Turner) with the flayed corpse of the elderly woman who swore to protect her, Reek (Alfie Allen) having betrayed her and the Starks once again. Melisandre (Carice van Houten) promises Stannis (Stephen Dillane) certain victory in Winterfell, but only if she’s given royal blood—specifically that of his daughter, Shireen (Kerry Ingram). Bronn (Jerome Flynn) gets exactly the sort of crazed flirtation from a Dornish woman when Tyene (Rosabell Laurenti Sellers) withholds the antidote to her dagger’s “Long Farewell” until he admits that she’s the prettiest woman he’s ever seen. After success in the fighting pits, Jorah (Iain Glen) is able to present Tyrion (Peter Dinklage) to Daenerys (Emilia Clarke). And finally, Littlefinger (Aidan Gillen) presents Lady Olenna (Diana Rigg) with the same sort of gift that he provided Cersei (Lena Headey): the poisonous confession of a young man, in this case, that of the incestuous Lancel (Eugene Simon).

Game of Thrones Recap Season 5, Episode 4, "Sons of the Harpy"

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Game of Thrones Recap: Season 5, Episode 4, “Sons of the Harpy”

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Game of Thrones Recap: Season 5, Episode 4, “Sons of the Harpy”

Niccolo Machiavelli once wrote that “It is better to be feared than loved, if you cannot be both.” A corollary to this, as taught by Game of Thrones, is that it’s better to be respected than powerful, because power is nothing but a currency used by the especially clever. Considering how many people are neither feared nor loved in “Sons of the Harpy,” respect is all that matters—that, and the dangerous Dangerfield-ian consequences of not getting any respect.

Game of Thrones Recap Season 5, Episode 3, "High Sparrow"

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Game of Thrones Recap: Season 5, Episode 3, “High Sparrow”

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Game of Thrones Recap: Season 5, Episode 3, “High Sparrow”

Despite being home to the Faceless, the House of Black and White is filled with a variety of visages: statues to the various gods of Westeros. These are at once examples of the Many Faced God whom the Faceless worship and a pointed demonstration that the one true god is the one god who doesn’t need to be memorialized in stone—because that god, Death, is already everywhere. It’s a fitting setting for Arya (Maisie Williams) as she begins training under No One, the mysterious assassin currently wearing the face and name of Jaqen H’ghar (Tom Wlaschiha). It’s here that she can begin reclaiming her independence, after seasons of fear and flight, though—ironically—she can only do so by first figuratively murdering herself, casting off all her possessions in service to the god of Death. (There’s still a trace of the defiant girl from previous seasons when she chooses to hide her sword, Needle, rather than to throw it into the ocean.) It’s a perfect example of the erosive effects of tragedy, in that a person can only survive by becoming something else, and not for nothing does Arya spend the majority of this episode silently doing menial tasks, scrubbing away the past.

Game of Thrones Recap Season 5, Episode 2, "The House of Black and White"

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Game of Thrones Recap: Season 5, Episode 2, “The House of Black and White”

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Game of Thrones Recap: Season 5, Episode 2, “The House of Black and White”

It’s fitting that the titular House of Black and White is home to No One, for if there’s anything true of Westeros, it’s that nothing is ever black and white. Ellaria Sand (Indira Varma), for example, blames the Lannisters for her beloved husband’s death, and from her viewpoint, it would be just to mail parts of an innocent young girl, Myrcella (Nell Tiger Free), back to her mother, Cersei Lannister (Lena Headey). Back in King’s Landing, looking at the threatening statue of a snake that’s been mailed to her, Cersei acts like the victim; she can’t fathom why Ellaria might seek revenge, even as she herself swears to burn Dorne to the ground should anything happen to her daughter. Everybody is the hero of their own narrative; those who are mere bystanders, like the current prince of Dorne, Ellaria’s brother-in-law, Doran (Alexander Siddig), are warned that their inactions will swiftly lead to their own deposal.

Game of Thrones Recap Season 4, Episode 8, "The Mountain and the Viper"

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Game of Thrones Recap: Season 4, Episode 8, “The Mountain and the Viper”

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Game of Thrones Recap: Season 4, Episode 8, “The Mountain and the Viper”

“The Mountain and the Viper” isn’t so much a lead-up to the showdown promised by its title as a delay of game. Teasing out the main event is a staple not only of Game of Thrones, but of serialized TV in general, yet the first 35-to-40 minutes of this episode are so far removed from Tyrion’s (Peter Dinklage) plight that it almost comes as a surprise when the final act loops back around to him and his champion Oberyn’s (Pedro Pascal) duel with Gregor Clegane (Hafþór Júlíus Björnsson).