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Conventional wisdom suggested that adaptations of the biggest bestsellers would make up much of this year's shortlist—barring, perhaps, the sourly gynecidal Girl with the Dragon Tattoo and its nightstick-in-the-naughty-hole vengeance. So it's something of a blessing that the 100-odd-page translations of Kathryn Stockett's The Help and Jonathan Safran Foer's Extremely Loud & Incredibly Close, whose own wisdom is quite conventional indeed, weren't counted among those movies' recognized achievements. The best-known tome to see its adaptation make it into the final five is John le Carré's inimitable classic Tinker Tailor Soldier Spy, just one reason this category boasts one of the 2012 Oscar season's finest lineups. Since politics can never be ignored, it's worth noting that Tinker Tailor has an extra edge here considering nominee Peter Straughan's wife and co-writer, Bridget O'Connor, passed away before the film hit theaters. But then again, such a sad truth may be precisely what got the unsure hopeful over the nomination hump, and a second sympathy-boosted triumph doesn't seem likely. Continue Reading »
Tags: Aaron Sorkin, Academy Awards, Alexander Payne, Beau Willimon, Brian Selznick, Bridget O'Connor, Christine O'Connell, David Mamet, Extremely Loud & Incredibly Close, George Clooney, Grant Heslov, Hugo, Jim Rash, John le Carré, John Logan, Jonathan Safran Foer, Kathryn Stockett, Kaui Hart Hemmings, Moneyball, Nat Faxton, Peter Straughan, Steve Zaillian, Stieg Larsson, The Descendants, The Girl With the Dragon Tattoo, The Help, The Ides of March, Tinker Tailor Soldier Spy
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If some of those prophets who called the nomination for Demián Bichir still see something we don't, then the whispering buzz that the actor is poised to pull the ultimate upset could indeed be true, either because the performance actually warrants it or because, as unabashed cynicism has suggested, voters feel as guilty about the help of today as that of yesteryear. But while the prospect of Bichir building support makes for a great last-minute news story, it's probably about as likely as Brett Ratner being invited to present the Costume Design contenders. And since the great Gary Oldman can't ride the love of the British contingent all the way to a win, it seems this category does come down to a three-man race after all. Continue Reading »
Tags: A Better Life, Academy Awards, Brad Pitt, Demián Bichir, Gary Oldman, George Clooney, Jean Dujardin, Moneyball, The Artist, The Descendants, Tinker Tailor Soldier Spy
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by R. Kurt Osenlund on February 19th, 2012 at 3:47 pm in Film
[Editor's Note: Poster Lab is your weekly dose of movie poster dissection, wherein the House examines the pluses, minuses, and in-betweens of the poster design(s) for a buzzworthy film.]

Mystery seems to shroud every aspect of Fox Searchlight's Sound of My Voice, a micro-budgeted curio snatched up by the specialty branch at Sundance 2011. Plenty of good ink followed the movie's festival premiere (including a list-topping IndieWIRE citation), but try to find a great deal of official online content, and you'll come up surprisingly short. The cryptic buzz continues with the release of the film's second poster, a dog-eared and thrice-unfolded secret-handshake diagram, which relegates the sonar-style title to the bottom right corner.
The only way to gain an inkling as to what this drawing represents is to watch the 12-minute snippet Fox Searchlight unveiled on Thursday, showing the film's entire opening chapter. Turns out there are all kinds of initiation rituals necessary to enter the movie's cult microcosm, including the Miss Mary Mack action shown here, airline style.
I wouldn't exactly rush to call this poster artful, but it's certainly one of the more intriguing one-sheets to go viral this year, its WTF factor just as juicy as that of the best Being John Malkovich design, to which the wrinkled red hand signals hold a definite relation. Like Malkovich, Sound of My Voice also boasts time travel, but unless you chilled at Sundance or can beam yourself to April 27, precisely how remains, yes, rather mysterious. Continue Reading »
Tags: Another Earth, Being John Malkovich, Brit Marling, Fox Searchlight, haywire, indieWIRE, road trip, sound of my voice, Sundance Film Festival, Todd Phillips
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Less a race than a ping-pong match, this year's battle for Best Director has shifted favor from an obvious lock to a popular spoiler and back again, leaving us one more not-quite-certain category to pay attention to on February 26. Not long after The Artist stormed out of Cannes, Michel Hazanavicius established a surge of directorial momentum that hardly let up, its reach even cracking the Indie Spirit lineup, which isn't exactly known to invite the Oscar frontrunner to the party. But as the season stretched on, and a certain genre-defier (kids' flick? Biopic?) began performing exceedingly better than expected, a Picture/Director split seemed more and more probable, with Martin Scorsese potentially benefiting from Hazanavicius's lack of notoriety. A Golden Globe win strengthened suspicions about the Hugo helmer, as did a subsequent tally of 11 Oscar noms for the 3D cineaste fantasy. Could this be the year the Academy honors both men who blew the industry a nostalgic kiss? One of them certainly has the firm voter support to make the generosity possible. Still, as everyone from the DGA to the folks at BAFTA will testify, odds are the rise of Hugo was a mere bump on The Artist's fated path to glory, which now looks like it may encompass Best Actor too. Continue Reading »
Tags: Academy Awards, Alexander Payne, Golden Globes, Hugo, Hunter McCracken, Jean Dujardin, Martin Scorsese, Michel Hazanavicius, Midnight in Paris, Nero Fiddled, Terrence Malick, The Artist, The Descendants, The Tree of Life, Woody Allen
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by R. Kurt Osenlund on February 17th, 2012 at 5:00 pm in Film

Hitting theaters today is McG's This Means War, a frothy comedy that pits Chris Pine against Tom Hardy in the fight for Reese Witherspoon's smiley affections (best of luck there, Chris). From Arthurian legend to Bridget Jones's Diary, stories of smitten trios have flooded the popular landscape, each threesome casting its sinful shadow on boring old monogamy. For this list of 15 standouts, the door was open to hallucinations, inanimate objects, and even different species—which is not to say Ménage à Twilight was ever in the running. Continue Reading »
Tags: Ben Affleck, Bernardo Bertolucci, bridget jones's diary, edith wharton, fay wray, Fight Club, Francois Truffaut, Jane Campion, jules and jim, Kevin Smith, King Kong, lists, Martin Scorsese, Michael Bay, moira shearer, Pearl Harbor, sabrina, Showgirls, the age of innocence, the dreamers, the graduate, The Philadelphia Story, the piano, The Red Shoes, this means war, Twilight, wild things, y tu mama tambien
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In recent years, Academy members have repeatedly favored the most high-profile, buzzed-about doc in this category, from The Cove to Man on Wire to March of the Penguins. For a break in the trend, you'd have to go back to 2005, when Born Into Brothels bested Super Size Me, Morgan Spurlock's suffering-for-art experiment that had people thinking twice about McDonald's, at least for a few months. With expected hopefuls like Project Nim left out of this season's race, 2012 could prove the bookend of the category's seven-year populist itch, as the most-discussed nominee is probably Wim Wenders's Pina, an offbeat film that really only looks like a winner on paper. Continue Reading »
Tags: 8 1/2, Academy Awards, Bill Courtney, Borin into Brothels, Bruce Sinofsky, Danfung Dennis, Daniel McGowan, Hell and Black Again, If a Tree Falls: A Story of the Earth Liberation Front, Joe Berlinger, Man on Wire, March of the Penguins, Morgan Spurlock, Nathan Harris, paradise lost 2: revelations, Paradise Lost 3: Purgatory, Pina, Pina Bausch, Project Nim, Restrepo, super size me, The Blind Side, The Hurt Locker, Undefeated, West Memphis 3, Wim Wenders
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At this point, being a Meryl Streep diehard who also cares about Oscar hoopla is a kind of brutal self-flagellation. Year after year, be it a silver fox in a royalty role, a can't-miss Brit in a Holocaust film, or a rom-com sweetheart awarded for years of box-office gajillions, there's always someone younger, fresher, or less-anointed to make voters feel better about passing on Streep, their near-perennial Oscar queen. This year, of course, the guilt-free alternative is Viola Davis, whose movie-carrying brilliance in The Help is fortified by the unavoidable race discussion, which, whether you pray at the church of Tate Taylor or Tavis Smiley, is all but certain to catapult her to victory. Up to now, Streep and Davis have more or less split the precursor trophies, and Streep has a fresh Kennedy Center Honor and Berlinale career kudo in her corner, but it's next to impossible to imagine Davis's snowballing awards narrative being derailed in the place where it would wring the most tears. Yes, a 2012 Best Actress win for a black woman in a maid role sends all kinds of regressive messages, but stronger yet is the voter urge to self-congratulate by coloring Oscar history, however sad the truth of the matter. Indeed, Streep had better hope she stays in her seat, for a win might make her look as monstrous as the shrew she so embodies in The Iron Lady. Continue Reading »
Tags: Academy Awards, albert nobbs, Glenn Close, Meryl Streep, Michelle Williams, My Week with Marilyn, Rooney Mara, The Girl With the Dragon Tattoo, The Help, The Iron Lady, Vanity Fair, Viola Davis
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At the risk of milking a joke whose teets have been sore for weeks, The Artist's musical score will do just fine without Kim Novak's vote. In the hierarchy of Oscar scandals, which have a way of surfacing every season (just ask THR subscribers), the ire of an old Hitchcock muse is meager compared to blockbuster-bashing emails and history's tackiest FYC ads. So, rest easy, Ludovic Bource, for your rape charges won't take you the way of Herman Cain, and few Academy members will be able to resist the sprightly notes subbed in for Jean Dujardin's dialogue. If anything, The Artist's perfectly legal Vertigo sampling will strengthen that skim-off-the-cream nostalgia, which has yet to relent in its ability to charm the Depends off Novak's peers. Continue Reading »
Tags: Alberto Iglesias, Herman Cain, howard shore, Hugo, Jean Dujardin, John Williams, Kim Novak, Ludovic Bource, Michel Hazanavicius, Steven Spielberg, The Adventures of Tintin, The Artist, Tinker Tailor Soldier Spy, Vertigo, war horse
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by R. Kurt Osenlund on February 11th, 2012 at 8:30 pm in Film
[Editor's Note: Poster Lab is your weekly dose of movie poster dissection, wherein the House examines the pluses, minuses, and in-betweens of the poster design(s) for a buzzworthy film.]

The first success of the new Bourne poster? It expresses the frenetic speed of the franchise better than any of its predecessors. You don't quite get "briskly-edited spy pulse-pounder" from a bland image of Matt Damon running in place, but you might get it from a dark one-sheet cut into venetian-blind slivers, each one looking a bit like its own passing locomotive, and evoking the ample splicing that marked the Paul Greengrass chapters. Sleek noir action is what Universal and Cold Open are shooting for, and I dare say they've achieved it, despite the feeling that the result boasts only moderate visual interest.
"There was never just one," reads the tagline, desperate to assure you that the Damon/Jeremy Renner swap isn't just a smooth transition, but one that's long been in the cards. Renner, whose face is different enough to personalize but similar enough to maintain brand identity, plays a new mystery man whose circumstances are prompted by what Bourne left behind (hence "Legacy"). The metallic palette reads "gun," the bulging bicep reads "role commitment," and the eyes read "unshakable focus." Indeed, with every sliding panel, the makers of this trilogy extension want to communicate a retention of hallmarks, and cling to the ghost of that eponymous anti-Bond. Continue Reading »
Tags: Ian Fleming, Jeremy Renner, Matt Damon, Paul Greengrass, Poster Lab, Posters, Rabbit Hole, robert ludlum, Sony, Spider-Man, The Bourne Legacy, The Bourne Ultimatum, Tony Gilroy, universal pictures
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by R. Kurt Osenlund on February 10th, 2012 at 2:30 pm in Film

Oren Moverman's Rampart arrives in select theaters this weekend, adding Woody Harrelson to the pantheon of actors who've taken on crooked cop roles, playing officers who uphold the law about as well as a cheerleader holds her liquor. For decades, films have been infiltrated by serve-and-protect types who play both sides, abuse their powers, and leave behind paths of destruction. "The most corrupt cop you've ever seen on screen," reads the tagline on Rampart's poster. These 15 badge-defilers would beg to differ. Continue Reading »
Tags: ace in the hole, Alan Rickman, Andy Lau, Bad Lieutenant, Billy Wilder, charles durning, Clint Eastwood, denzel was, Dirty Harry, Gary Oldman, Harvey Keitel, howard wendell, infernal affairs, James Cromwell, L.A. Confidential, lakeview terrace, leon: the professional, lists, Orson Welles, pineapple express, Rampart, ray teal, robert patrick, robin hood: prince of thieves, Rosie Perez, Samuel L. Jackson, Stanley Kubrick, ted de corsia, Terminator 2: Judgment Day, the big heat, The Departed, The Killing, the sting, touch of evil, training day, Woody Harrelson
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It may sound shocking to some that the Harry Potter franchise has never won an Oscar, despite nine pre-2012 nominations being spread across five of the films (Harry Potter and the Chamber of Secrets and Harry Potter and the Order of the Phoenix couldn't conjure a single nod). Perhaps the Academy simply hasn't been able to brush off the pixie dust with which Chris Columbus ushered in the series, or maybe all those wins for 2003's The Lord of the Rings: The Return of the King left voters feeling like they'd hit their literary-fantasy quota for the next decade. Either way, though Harry Potter and the Deathly Hallows: Part 2 adds three more nods, including Art Direction, to the saga's final tally, it looks like Harry and his pals are going to ride their brooms into the history books without one nude gold man in tow. Continue Reading »
Tags: Academy Awards, Avatar, dante ferretti, Harry Potter and the Chamber of Secrets, Harry Potter and the Deathly Hallows: Part 2, Harry Potter and the Order of the Phoenix, Hugo, Midnight in Paris, Owen Wilson, Sherlock Holmes: A Game of Shadows, Stuart Craig, The Artist, The Lord of the Rings: The Return of the King, Tinker Tailor Soldier Spy, war horse, Woody Allen
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[Editor's Note: Poster Lab is your weekly dose of movie poster dissection, wherein the House examines the pluses, minuses, and in-betweens of the poster design(s) for a buzzworthy film.]
So, apparently David Lynch has added film promotion to his post-Inland Empire activities. How else to explain the certifiable smiling faces and wacko-subversive quotes in the character posters above? The marketing campaign for What to Expect When You're Expecting reads like The Stepford Wives by way of Twin Peaks—soulless, soon-to-be mommy-bots with naughty, rattle-the-picket-fence speech bubbles. It's a wonder there isn't a severed ear resting on Elizabeth Banks's sofa. Based on a self-help book, a la He's Just Not That Into You, What to Expect is a yet another indicator of just how desperate Hollywood is to peddle known brands, even if nobody has a clue about how to sell them. Barring the Lynch theory, it's pretty obvious what happened here: a photo crew got busy with the backdrops, basketballs, and airbrushing, while a "hip and young" writing team started digging through their Someecards. Put 'em together and whaddaya got? Bibbidi-Bobbidi-Bipolar posters. Continue Reading »
Tags: Adam Sandler, Anna Kendrick, Cameron Diaz, David Lynch, elizabeth banks, he's just not that into you, Inland Empire, jennifer lopez, Madonna, Poster Lab, Posters, someecards, the stepford wives, Twin Peaks, what to expect when you're expecting
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As long as there's a Transformers film franchise, there's a good chance Oscar nominations for special effects are going to be thrown at it like alien shrapnel. And since Michael Bay shows no signs of abandoning his clinking, clanking cash cow, expect this year's nod for Transformers: Dark of the Moon to be the second of many (2009's brain-melting Revenge of the Fallen was graciously snubbed in this category). But don't expect it to be the one that tops the 2011 field, for while the Hasbro superbots demand attention on screen, the whole cacophonous series is considerably lacking in prestige, and odds are your average Academy member isn't about to hand it his or her vote. Continue Reading »
Tags: Academy Awards, Andy Serkis, Harry Potter and the Deathly Hallows: Part 2, Hugo, Jerry Bruckheimer, Michael Bay, Real Steel, Rise of the Planet of the Apes, Transformers: Dark of the Moon, Transformers: Revenge of the Fallen
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This weekend, Daniel Radcliffe celebrates his first post-Potter effort with the release of The Woman in Black, a horror thriller about an axe-grinding female ghost who need only be seen to claim a child's life. The veiled phantom surely has the edge when it comes to offing the little ones, but she hails from a long line of ladies who've gone all Hot Topic for the camera. Witches, wives, and even Whoopi made this list of women who sport only the darkest uniforms, making them scary, sexy, cool, sophisticated, and in some cases, all of the above. Continue Reading »
Tags: Angelina Jolie, Anjelica Huston, Audrey Hepburn, batman returns, Black Swan, breakfast at tiffany's, Cabaret, carrie-anne moss, Catwoman, Daniel Radcliffe, Femme Fatale, Grace Kelly, julie andrews, lara croft: tomb raider, lists, Liza Minnelli, louise brooks, margaret hamilton, Marlene Dietrich, Michelle Pfeiffer, Natalie Portman, noomi rapace, Pandora's Box, rear window, rebecca romijn, Shanghai Express, sister act, The Addams Family, The Girl With the Dragon Tattoo, The Matrix, The Wizard of Oz, the woman in black, victor victoria, Whoopi Goldberg
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The Help cleaned up and Jean Dujardin pulled an upset at last night's Screen Actors Guild awards.
In other news of The Artist's march toward Oscar, Michel Hazanavicius beat out Fincher, Allen, Scorsese, and Payne at Saturday's DGA awards.
This year's Sundance Film Festival winners have also been announced.
A look back at the film and art career of the Eiffel Tower, a 122-year-old movie star prepping for her facelift.
Matt Zoller Seitz recaps the latest episode of HBO's Luck.
Over the weekend, Mitt Romney widened his lead over Newt Gingrich.
Continue Reading »
Tags: Blake Lively, David Bordwell, Directors Guild of America, HBO, Jean Dujardin, Luck, M.I.A., Madonna, Matt Zoller Seitz, Michel Hazanavicius, Mitt Romney, Newt Gingrich, Nicki Minaj, Rick Perry, Rooney Mara, Screen Actors Guild, Steven Soderbergh, Sundance Film Festival, The Artist, The Help
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