

1. I'm sure most people want to talk about the Oscars, which is fine, and can be done right over here at The House, but I'm already done with it, to be honest. Sure enough, it was the most entertaining telecast I've perhaps ever seen, and I could probably talk about Penelope Cruz all day, but, really, I'd rather pay attention to other things. For instance: a new post at Girish's joint on "Strombolian Films". Although I have not seen it, I do not think our newest "Best Picture" will prove so fruitful for my cinematic education in years to come as I trust Chungking Express has for our man Shambu. As ever, the comments are lively and thoughtful. Get thee hence! (Then come back!)
["Wong Kar-wai's Chungking Express (1994) was, for me, a key Strombolian film. The first time I watched it, I remember this: I reached for a pillow and hurled it at the screen! It was at the very moment that Faye Wong put on the Mamas and the Papas' "California Dreamin'" for the umpteenth time. The film seemed to be caught in an infinite loop, uninterested in moving forward. At the time I had been discovering the pleasures of character-driven cinema--like Howard Hawks and Eric Rohmer--and in comparison, Wong's film seemed to care not a whit about 'advancing' plot or character. The reigning mood was one of stasis. [...] I'm wondering: What are your experiences of films that you weren't ready for when you first encountered them? Please feel free to share."] Continue Reading »



















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