The House Next Door

Archive: February, 2009

Links for the Day (February 23rd, 2009)


sunken treasure
the prettiest

1. I'm sure most people want to talk about the Oscars, which is fine, and can be done right over here at The House, but I'm already done with it, to be honest. Sure enough, it was the most entertaining telecast I've perhaps ever seen, and I could probably talk about Penelope Cruz all day, but, really, I'd rather pay attention to other things. For instance: a new post at Girish's joint on "Strombolian Films". Although I have not seen it, I do not think our newest "Best Picture" will prove so fruitful for my cinematic education in years to come as I trust Chungking Express has for our man Shambu. As ever, the comments are lively and thoughtful. Get thee hence! (Then come back!)

["Wong Kar-wai's Chungking Express (1994) was, for me, a key Strombolian film. The first time I watched it, I remember this: I reached for a pillow and hurled it at the screen! It was at the very moment that Faye Wong put on the Mamas and the Papas' "California Dreamin'" for the umpteenth time. The film seemed to be caught in an infinite loop, uninterested in moving forward. At the time I had been discovering the pleasures of character-driven cinema--like Howard Hawks and Eric Rohmer--and in comparison, Wong's film seemed to care not a whit about 'advancing' plot or character. The reigning mood was one of stasis. [...] I'm wondering: What are your experiences of films that you weren't ready for when you first encountered them? Please feel free to share."] Continue Reading »




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Oscar 2009 Composite Winner Predictions

Picture: Slumdog Millionaire
Directing: Danny Boyle, Slumdog Millionaire
Actor: Sean Penn, Milk
Actress: Kate Winslet, The Reader
Actor in a Supporting Role: Heath Ledger, The Dark Knight
Actress in a Supporting Role: Penélope Cruz, Vicky Cristina Barcelona
Original Screenplay: Milk
Adapted Screenplay: Slumdog Millionaire
Foreign Language Film: The Class
Documentary Feature: Man on Wire
Animated Feature Film: WALL-E
Documentary Short: Smile Pinki
Animated Short: La Maison en Petits Cubes
Live Action Short: Toyland
Film Editing: Slumdog Millionaire
Art Direction: The Curious Case of Benjamin Button
Cinematography: Slumdog Millionaire
Costume Design: The Duchess
Makeup: Hellboy II: The Golden Army
Score: Slumdog Millionaire
Song: "Jai Ho," Slumdog Millionaire
Sound Editing: Slumdog Millionaire
Sound Mixing: Slumdog Millionaire
Visual Effects: The Curious Case of Benjamin Button




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Oscar 2009 Winner Predictions: Picture

Slumdog Millionaire

Because it pushes that button. Because it makes them feel like sitting on trains. Because you know Sharon Stone texted Dev Patel: U R A Q T. Because it got them wondering why everyone got hustle on their mind. Because they like the sound of them knocking on the doors of their hummers. Because Bucky done gone. Because they shake their ass, making moves on a mover. Because Indian chicks, they get men laid. Because of gold and diamond gems and jades. Because of painted nails, sunsets on horizons. Because the price of living in a shanty town just seems very high. Because they're sick of all the shit that's keepin' them down. Because it got them to whistle, whistle, blow, blow.




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The Oscar (Mayer) Reaction Thread

The mystery (meat) ends tonight. And, oh yeah, feel free to talk about Those Golden Naked Guy Thingies.




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Oscar 2009 Winner Predictions: Sound Mixing

Slumdog Millionaire

As the presence of The Curious Case of Benjamin Button (which was snubbed in the other sound category) would attest, Sound Mixing is the category that far more obviously favors best picture players. It's Sound Editing that usually tips toward the Masters and Commanders, the Lords of the Rings, the Kings Kongs as though the entire category were one big tie-in with Visual Effects and Makeup. So if Slumdog Millionaire is the frontrunner (or, given the remote possibility that we're wrong, a very, very strong contender) in Sound Editing, there's absolutely no reason to think that it won't take this in a walk. If that's not enough to convince you, remember that previous winners in this category include Chicago, Ray, and Dreamgirls. Oscar loves a showtune, and Slumdog's clodhopping but exuberant train station throwdown is the closest thing this category has to a showstopper.




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BSG Saturdays: Season 4, Ep. 16, "Deadlock"

By Todd VanDerWerff

Uhhhhhhhhhhhh ...

Hmmmmmmmmmmm ...

"Deadlock," written by Jane Espenson and directed by Robert Young, offered up the best and worst of Battlestar Galactica. Characters changed their minds on a dime in seemingly unrealistic ways (seriously, WHAT IS UP WITH TYROL (Aaron Douglas) this half-season?). The writers pulled Baltar's (James Callis) strings a little too obliquely to force him into YET ANOTHER crazy new persona (with only a handful of episodes? Really?). And there was a long, probably too soapy plotline that was still pretty terrific just because of the layers and layers and layers of backstory that were laid onto it. I see the fandom is largely unkind to "Deadlock," if not outright hostile, and, yeah, this episode both feels like a waste of time with only four episodes left AND strangely rushed, as though a lot of plot had to be telescoped, since there are only four episodes left and the show has bigger questions to answer than whether Tigh (Michael Hogan) ends up with Ellen (Kate Vernon) or Caprica Six (Tricia Helfer). But, Hell's bells, sometimes you watch a show like Battlestar for the simple pleasures, and seeing Hogan act the piss out of that monologue about the love he feels for women and then collapse weeping in Adama's (Edward James Olmos) arms was pretty damn pleasurable, even if the episode, overall, prompted a long, long period of head-scratching. Continue Reading »




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Friday Night Lights on Saturday: Episode 3.6, "It Ain't Easy Being J.D. McCoy"

By Jonathan Pacheco

Before J.D. ever steps onto the field as QB1, he faces his first challenge: winning the locker room over. Easier said than done. To start off, this team was used to playing with Matt Saracen as their quarterback, so while the players aren't hostile towards J.D., I'm sure a small sense of loyalty will subconsciously hinder the transition process. Next, let's size up McCoy: he's 15, scrawny, rich, pampered, is never allowed to even think about anything other than football, and he's got a freak-show of a father (Coach's words, not mine). You really think all of those high schoolers in the locker room are ready to accept and respect that? They all want to play and win games, but J.D.'s simply too sheltered to be considered cool or "one of the guys." This is why they haze J.D. more than the others and why they insist on degradingly calling him "Naked Gun" after duping him into streaking across town. It's also why Coach Taylor approaches Tim, the team's captain and natural leader, to ask him to do whatever it takes to make J.D. feel a part of the team and to get the rest of the fold to accept their new quarterback.

In "It Ain't Easy Being J.D. McCoy," Coach wakes Tim up to a few realities. Being a team leader means more than winning games on the field; it also means making sure that you're leaving the team in good hands. As a senior, Tim's not going to be wearing a Panther uniform for much longer, and he needs to begin the work of passing the torch. This boy is idolized and respected by his teammates, so if he goes out on a limb to vouch for J.D., others will follow. Continue Reading »




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Black and White and Misread All Over

Black and White and Misread All Over

Despite what Slant's own Oscar prognosticators have told you, the profoundly relevant The Witness: From the Balcony of Room 306, a recounting of the final hours of Martin Luther King Jr.'s life, seems—at least on the surface—like a no-brainer to win the Academy Award for Best Documentary Short. In the film, titular witness Rev. Samuel "Billy" Kyles ardently tells a group of churchgoers that even though the dreamer was killed, the dream continues to live on. That dream coursed through the veins of every voter who pulled a lever or pressed a button for Barack Obama last November. Many heralded the impact his election might have on race relations in this country, while others cynically dismissed all the talk about a post-racial age of hope and change.

Comedians, meanwhile, lamented the replacement of one of the easiest targets in modern history with a man of considerable intelligence, exceptional oratory skills, and, perhaps trickiest of all, a mixed-race background. For eight years George W. Bush was likened to a chimp—the implication being, of course, that he's stupid. (It's the type of lampoon, by the way, that insults the intelligence of our fellow primates while trivializing just how dangerous a "stupid" man like Bush can be.) It's another thing altogether, however, to liken a black man to a chimp, as many believe New York Post satirist Sean Delonas did when he published a cartoon on Wednesday of two police officers shooting a chimpanzee—evoking the killing of a former actor-chimp in Connecticut earlier in the week—accompanied by the caption, "They'll have to find someone else to write the next stimulus bill." Continue Reading »




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Oscar 2009 Winner Predictions: Costume Design

The Duchess

Lessons learned from the winners in this category in the last decade: gothic is a no-no (just ask Colleen Atwood, who's only won for Chicago and Memoirs of a Geisha); the frilliest attires almost always rule, regardless of whether the film that contains them is an abomination (Elizabeth: The Golden Age); and in the rare cases where the Pre-Frilly and Post-Frilly eras reign supreme, the films must be Best Picture honorees (Gladiator, The Aviator) and boast costumes that are at least as opulent as the Taj Mahal and Sharon Stone's affections for Dev Patel. Weird that Slumdog Millionaire didn't manage a nomination here, but that only makes this one of the easiest calls of the evening. Anyone who tells you otherwise doesn't know Oscar or their Prada from their Pucci.




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Links for the Day (February 20th, 2009)

1. Remembering Gene. Roger Ebert remembers his friend and sparring partner Gene Siskel on the 10th anniversary of his passing. (That's his photo, too.)

["Gene Siskel and I were like tuning forks. Strike one, and the other would pick up the same frequency. When we were in a group together, we were always intensely aware of one another. Sometimes this took the form of camaraderie, sometimes shared opinions, sometimes hostility. But we were aware. If something happened that we both thought was funny but weren't supposed to, God help us if one caught the other's eye. We almost always thought the same things were funny. That may be the best sign of intellectual communion."] Continue Reading »




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Oscar 2009 Winner Predictions: Sound Editing

Slumdog Millionaire

When trying to figure out what will win the sound awards this year, it's probably best to ignore or at least downplay the two p's—precedent and precursors—and instead try to imagine what, exactly, Oscar voters likely remember they heard when they watched each film, especially when it comes to this category and its vestigial connection to what the Academy used to call "sound effects." To wit:




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Understanding Screenwriting #19

COMING UP IN THIS COLUMN: Teaching the Young, Minsky's (stage musical), Definitely, Maybe, Captain Blood, The Sea Hawk, In Old Chicago, ER, Two and a Half Men, The Closer, Burn Notice, but first:

***

FAN MAIL: A nice collection of comments on US#18.

I will bow to R.A. Porter's expertise on the explosion in Burn Notice being a shaped charge designed to explode outward. I will not ask where he got that expertise. Continue Reading »




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HND@Grassroots: Season 2, Episode 16 (34), "The Racist Mick Ken Loach Podcadst"

By John Lichman, Matt Prigge, and Vadim Rizov

[Editor's Note: The views expressed in this podcast are those of the commenters, and do not necessarily reflect the official policies, positions, or opinions of The House Next Door.]

INTRODUCTION

Hello Philadelphia!

This was the last podcast we did before engaging in a bit of a recording hiatus before our upcoming Oscar Pre-Podcast this week or next, depending on our ability to get in one place. Rather than do a pre-interview with Matt Prigge (Philadelphia Weekly) who was in town to catch Jeanne Dielman at Film Forum, Vadim and I were horribly and painfully hungover. Like seriously, this may have been the worst hangover either of us ever fought through.

Except for myself—that honor would come the following day after a night of karaoke honoring our friend Kevin Lee, whose awful photos you can find here. And yes, I now own my own brand of Shochu: Lichiko Shochu, for when you definitely want to be slurring along words to FallOut Boy songs while vomiting in a bathroom and then discussing relationships with the bouncer before taking a cab back to Greenpoint, forgetting where you live, and wandering around for about twenty-five minutes.

That day was the single worst hangover ever. Continue Reading »




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Links for the Day (February 19th, 2009)


shoot!

1.Y'all been reading Black History Mumf 09? If not, get on it. Otherwise? He shoots. Here's Odie's latest full post, Holding Out For A Hero: Eve's Bayou.

["Black folks are a superstitious lot, probably due to our ties to the South. I've written off much of the things we believe in, but I cling to a few of them simply because I don't want to tempt the powers that be. We, like Latin American readers, may have an easier time accepting these paranormal phenomena simply because we've heard stories like these passed down from generation to generation; they become one of those accepted things. Lemmons uses Mozelle's skill as less of an ironic plot point than it may seem, and I was grateful that a film about the past didn't skirt some of the more colorful aspects of the oral tradition of Black history being passed down. We were always told the reader could never read her own future."] Continue Reading »




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Lost Thursdays: Season 5, Episode 6, "316″

By Todd VanDerWerff

For the first time this season, I feel completely stymied by Lost, and I sort of don't know what to say about it. It did a lot of the things I wanted it to (using the tale of the Oceanic 6 returning to the Island to delve more deeply into their characters), and it had a bunch of really terrific little scenes and moments, as well as the sort of deeply mournful tone so many of the best Lost episodes adopt, but it also managed to view a lot of the stuff going on through absolutely the wrong character prism. This seems like the sort of episode that will greatly improve when watched on DVD later, but at the moment, it seemed so bizarre to try to force the dramatic arc of returning to the Island to be viewed through the point-of-view of Jack (Matthew Fox), the one person who's as gung ho about returning as Ben (Michael Emerson). This left the episode strangely bereft of dramatic snap, even as it sort of worked as a character piece around the edges of the Jack story. I presume it will work better once we know just how the O6 miraculously gathered together again to hop aboard Ajira Airlines flight 316 to Guam, but making Jack our entryway to this story made it both frustrating and fascinating, though mostly unpredictable ways. So, yeah, I'm a bit unsure of what I think, but let's talk it out, shall we. Continue Reading »




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