Summer’s here, and the time is right for a summary of all things cinematically summery.
A kaleidoscope of alienation and longing, the film remains one of Wong’s least discussed and least appreciated films.
Charlotte Rampling gives a warm, winning performance as a character who isn’t all that likable.
By episode’s end, the political speeches postponed by Al in the season opener had taken place, but Al paid a price for his defiance.
Joe Eszterhas and Adrian Lyne have each made one good movie: Flashdance
How better to follow upon the heels of an all-Deadwood week than with an ode to the western towns that preceded the title locale?
Let us now praise the law.
It had to be one of the quickest seductions in the history of television.
Robin Weigert has the unenviable task of now playing the most famous character on Deadwood.
The women of Deadwood are passionate, fully realized human beings.
In fighting off waves of melancholy over Deadwood’s premature demise, it’s helpful to reflect on the improbability of the show’s existence.
As Deadwood has acquired more and more of civilization’s trappings, Merrick has come increasingly to the fore.
Not with a bang…not even a whimper…it was more like a wet fart.
It goes without saying that if you’re a newcomer to Deadwood, every article appearing during Deadweek will contain spoilers galore.
Ellsworth thrives in Deadwood’s lethal landscape by peppering his encounters with a self-deprecating wit won over many terrains.
The richness of Deadwood puts every other TV drama to shame.
It’s strange to think of Deadwood as a life-affirming show, but it is.
HBO’s Deadwood, which begins its second season tonight, is the greatest dramatic series in the history of American television.
We all carry these movies around in our heads. Movies that we long to see, but are really just constructs in our mind.
Each picture has something a little different to say about authority and the people below it.