This stealth, beguiling creature of a film is teeming on the inside with rapidly-growing ideas about cultural and personal malaise.
Often Lost’s greatest failing is the way it shoe-horns in extraneous flashbacks to pad-out the run-time.
Can’t you feel it all starting to crumble around them?
Wilder’s movies are full of greedy characters out for themselves no matter what the cost.
The feeling of déjà vu in “Three Minutes” permeated beyond the recycled footage.
How many amazing James Gandolfini reaction shots can you squeeze into one hour?
What follows is a numbered, point-by-point subjective breakdown of The New World’s two versions.
My Mom is a larger than life character crafted with one part June Cleaver, two parts Mahalia Jackson, three parts Oprah, and four parts Dorothy Parker.
Give the producers of Lost credit: They know the pulse of their audience.
The times, they are a changin’. And so is Tony Soprano.
An informal memorial for Jennifer Dawson will be held this Thursday, May 4, at 2 p.m.
Hi, this is Alan Sepinwall, posting in Matt’s place for reasons you’ll understand in a minute.
Poor Artie got stuck with the lion’s (or mouse’s) share of clunkers.
Former New York Press editor Alexander Zaitchik wrote a compelling feature for Spiked about the death of beloved movie star Rajkumar.
Here are five haiku about movies, movie characters, and celebrities.
Durgnat’s core strength was his refusal to be seduced by intellectual fashion.
The defective ventilation unit illuminated Tony’s present problem and his larger arc.
Today’s “5 for the Day” pays tribute to that which comes just before the closing credits: the parting shot.
The key to understanding Terrence Malick’s intent can be found in a camera move that begins the denouement of Days of Heaven.
Are we ever going to see a stand-alone episode of The Sopranos again? I’m not complaining.