The singer has teased a new release date for the set and announced a companion album to boot.
The album is full of squiggly synths, bubblegum melodies, drum machines, and syrupy Hollywood strings.
Skin shows Flume as unquestionably human, but still a bit faceless.
Adele’s new music video is a a kaleidoscopic feast for the eyes.
Ariana Grande’s Dangerous Woman smartly has one eye fixed squarely on the past.
“Can’t Stop the Feeling!” is, at best, an innocuous visual interpretation of an innocuous song.
The album finds Blake sidetracked by all the things he can do and doing them coldly, rather than focusing on the few things he should.
Beneath its typically oblique surface, the album registers as Radiohead’s most revealing work to date.
As its anagrammatic title suggests, Ullages aims for what remains in the post-punk canon.
Pantha du Prince remains less interested in constructivist concept pieces than interlinked studies riffing on a consistent theme.
Meghan Trainor continues to peddle a myopic, commercialized brand of feminism on her new album, Thank You.
Anderson dramatically reaffirms most of our beliefs about Radiohead’s music as the prettiest soundtrack in the world to one man’s devotion to his own alienation.
The clip is a refreshing throwback to the simplicity of the choreography-driven videos of the late ’80s and early ’90s.
“In Common” boasts a pointillistic collage of electronic beats and tropicalia-infused rhythms.
Radiohead releases the first single and music video from their upcoming ninth studio album.
Drake continues to reflexively balance out this egotism by dredging up old demons and initiating new beefs.
The album’s chief strength is its fine balance of the concrete and the abstract.
After five long years, Rihanna has reunited with Calvin Harris on first single from the producer’s upcoming album.
“True Colors” is a departure for Kesha, but the lyrics’ rebellious, unapologetic spirit seem eerily prescient.
Despite its glum title, the album features crisp beats, bubbly synths, and…Debbie Gibson.
Lemonade is Beyoncé’s most lyrically and thematically coherent effort to date.