The Leeds junglist tells a story in the wrong order, in the right way.
Trombone Shorty walks the line between pop and jazz throughout his Blue Note debut album.
These are the best albums of 1998 as selected by Slant’s music writers.
These are the best albums of 1997 as selected by Slant’s music writers.
These are the best albums of 1996 as selected by Slant’s music writers.
These are the best albums of 1995 as selected by Slant’s music writers.
These are the best albums of 1994 as selected by Slant’s music writers.
Be Myself is an application of cumulative influences rather than just a rehash of the singer’s pop heyday.
These are the best albums of 1993 as selected by Slant’s music writers.
The album’s pleasures make lasting impressions, but the larger takeaways are a mixed bag.
The title track from Lana Del Rey’s new album is a refreshing about-face.
These are the best albums of 1992 as selected by Slant’s music writers.
These are the best albums of 1991 as selected by Slant’s music writers.
These are the best albums of 1990 as selected by Slant’s music writers.
“The Cure” abandons the middling singer-songwriter pap of recent single “Million Reasons” and abruptly shifts gears.
The specter of violent death becomes a narrative device that wraps its arms around the whole album.
What Now treats music as a force that’s cathartic and ephemeral but just as often deceiving.
Wrangled feels like an antidote to some of the more testosterone-driven material coming out of Nashville.
The Chainsmokers are more interested in following in the steps of Fun. than continuing to carve out their own niche.
Dylan’s standards are real artistic statements, premeditated and effective as any of his other recent work.
The band switches things up on the album, but it feels more like tweaking a formula than breaking new ground.