We weren’t sure if Madonna could surprise us anymore. Until she did.
Like its predecessor, From A Room: Volume 2 is marked by casual virtuosity.
War & Leisure is less of a stylistic about-face than it is a subtle and deliberate course correction.
The Visitor finds Neil Young tilting again at the political windmills of the present day.
The Ramones’s Rocket to Russia is a pure punk album, in the late-1977 sense of the word.
Bob Seger’s faith in democracy may wane, but when it comes to rock ‘n’ roll, he remains a true believer.
Utopia represents an earnest desire to reconcile a yearning for future happiness with the pain of the past.
In typical Morrissey fashion, he apologizes for nothing here, and if anything he doubles down on his stodginess.
Mavis Staples’s album is hopeful and optimistic not in ignorance of political reality, but in spite of it.
Icelandic pop goddess Björk has released what is, perhaps, her most melodic song in years with “Blissing Me.”
The beauty of Jones’s voice projects an optimism that is, in these traumatic times, a balm for the soul.
The holiday album format doesn’t exactly lend itself to the Aussie singer-songwriter’s idiosyncratic vocal style.
“Walk on Water” is both contemplative and combative, offering a glimpse into Eminem’s creative process.
Swift assesses her crumbling empire and tattered reputation, discovering redemption in love.
The band performs the right incantations and brings forth old demons from the abyss.
Ware has long possessed the ability to wrap powerful emotions in pleasant melodies.
The album makes one yearn for an era when there seemed to be more room for genuinely ambitious, artful Top 40 pop.
The album feels more like a fine-tuning than a bold new adventure for the singer-songwriter.
Heartbreak on a Full Moon can only be read as hubris, an inability to edit, or simply poor impulse control.
Sleigh Bells remain both confined and defined by their early novelty as the twee pop group with the loud guitars.
Swift pays homage to sci-fi and anime in her new music video.