The album sees the singer-songwriter moving in a different direction.
The album’s lumbering pace and homogeneity overshadow even its few gems.
The album often feels cerebral and off-kilter, and its dreamlike ambience at times turns nightmarish.
Joey Burns and Sam Beam spoke with reverence about each other, revealing their multifaceted relationship.
The video takes the notion of visibility as a means of acceptance to the extreme.
The album aims for an enthralling vision of infatuation, but the band’s message rings hollow.
On a superficial level, the ostensibly back-to-basics album could charitably be described as workmanlike.
The album proves that there’s still more to be mined from the supposedly anachronistic guitar-rock template.
The album grants us backstage access to the band at its most vulnerable and personal.
The album is the work of an artist reawakened, and one who’s got something to say.
The self-described transfeminine rapper stars in the video from the queen of pop’s upcoming album Madame X.
The singer finds her groove when she follows a less strident tack.
The video takes place inside a gated compound where the singer enrolls in a retreat for the brokenhearted.
We’ve got the exclusive premiere of the second single from the singer-songwriter’s 10th album, Pearl.
Alternating between color and black and white, the video’s concept is refreshingly simple.
The singer-songwriter imbues her sophomore effort with a multitude of intertextual meanings and nods to her predecessors.
The album doubles down on the singer’s devotion to all things love and ’80s pop-rock.
The album is the band’s widest-ranging and most surprising effort to date.
There’s still darkness flitting around Ezra Koenig’s consciousness, but it’s more of the “middle-aged malaise” variety.
DeMarco has a knack for composing simple yet alluring melodies that feel weighty and timeless.
The album fails to yield anything truly novel within the scope of blues-rock.