The singer has teased a new release date for the set and announced a companion album to boot.
Depeche Mode’s Music for the Masses is steeped in high drama, each track spilling into the next like a pop-rock opera.
The album sounds just as groundbreaking today as it did eight years ago.
Maxinquaye takes the glistening electronic soul of Blue Lines and smothers it in far-grittier textures.
More than just spatial white noise, Music for Airports is the sonic equivalent of visual art.
Happy cycling—depending on your drug of choice.
It seems former Mousekateer Christina Aguilera has finally popped right out of her bottle.
DJ Shadow’s Endtroducing… so constantly changes pace that definitions are rendered insufficient.
Bytes was a watershed in what has become known in the U.K. as IDM or “intelligent techno.”
Kraftwerk’s meditative album is a sonic poem to Europe.
Señor Moby’s albums have always been a bit schizophrenic and his 1995 masterpiece, Everything Is Wrong, is no exception.
Massive Attack are the undisputed godfathers of trip-hop and Blue Lines remains the genre’s most influential masterpiece.
The White Room is an album that helped bring rave culture to the fore.
The album is a testament to the singer-songwriter’s enduring strength and mission.
It was anyone’s guess as to how Gwen Stefani and the gang would fare amid teen-poppers like ‘NSync and Britney Spears.
Essence is a concept album that traces the biological and spiritual steps of a life span.
Fiona’s pissed and it’s captivating, but it also demonstrates the limits of the singer’s self-loathing.
While it might be free of meaning (and irony), it’s chock-full of pretense.
Stankonia continues André 3000 and Big Boi’s progressive blend of hip-hop, funk, rock, and soul.
The Foo Fighters have effectively transcended the myth of Nirvana.
Hooverphonic steers away from the ethereal, lush sounds of their previous work, opting instead for a more mainstream pop/rock style.