The Aussie director discusses why horror was the right vessel for his commentary.
Pressure mounts on all sides to declare Tim Burton’s sweet and understated Big Eyes either a return to form or a turned corner.
We spoke with Burton about what Big Eyes has to say about the suburban American dream of the Cold War era.
Ullmann spoke with us about Miss Julie’s contemporary relevancy, Chastain’s award-worthy performance, and more.
The tall, diffident, Mississippi-born performer discusses the genesis of his mute but oh-so-expressive alter ego.
Rondón discusses Bad Hair’s mother-son relationship, shooting on Caracas’s barren and dusty streets, and more.
Over the past decade, MacKinnon has become an expert at staging the work of, arguably, our greatest living dramatist.
Marsh discusses the Hawkings’ story, Redmayne’s perseverance, and Theory of Everything’s surprise Oscar buzz.
Theater director Ivo van Hove has made a habit of breaching borders.
The actor discusses Listen Up Philip’s one-liners, working with Elisabeth Moss, and the rumored Bored to Death film.
Phillippe discusses the ups and downs of Catch Hell’s production, the freedom of directing himself, and more.
The actor discusses becoming a Pasolini rather than the Pasolini, the great filmmaker’s death, and more.
The preternaturally talented Hunter practically defies credulity on stage.
Prior to The Zero Theorem’s release, the 73-year-old auteur discusses the film’s many meanings and anti-meanings.
Wary as he may be about our chat turning too personal, his answers reveal more than he’s planned.
Benson spoke to us about whittling Him and Her down to Them, his friendship with Jessica Chastain, and more.
Korine talkes to us about his commitment to 35mm, insufferable record collectors, and the scourge of compromise.
Ashley has survived many ups and down, both personal and professional, in a career that’s spanned more than half a century.
Murdoch spoke to us about preferring breakfast to the rock ‘n’ roll lifestyle and things he has in common with QT.
Sachs spoke with us recently about the genesis of Love Is Strange and his feelings about love and New York City.
Metzger discusses his film catalogue with an unsentimental acuity that betrays his age and a gentlemanly aplomb.