Rohrwacher and O’Connor discuss the ethereal qualities of the film’s main character.
We spoke to him about his upcoming solo shows, the painstaking metaphysics of songwriting, and how three year olds occasionally come up with the best titles.
On the phone from L.A., the writer-director chatted with Slant about his experience making Rampart.
We caught up with Bromberg to discuss what it’s like playing for drugged-up audiences and how the profession of being a touring musician brings out masculine angst like no other.
There’s something both odd and reassuring that the most hyped young horror director in America today is a full-blown classicist.
No longer very keen on courting Oscar, Soderbergh has turned to genre films that get the blood pumping.
Wiseman spoke to us about working with William Castle, the clash between art and commerce, and the documentary power of the Marx Brothers.
Birkin literally incorporated Serge Gainsbourg’s ghostly presence Saturday night at the Luckman Fine Arts Complex in Los Angeles.
Alfredson’s and Straughan’s dialed-back, demure technique was also adopted by Oldman and Firth for their performances.
One of this season’s hottest tickets is a site-specific theater piece entitled Elective Affinities.
Don’t be misled by the warm smile and the fedora in the photograph.
His magnetism is firmly tied to his superior, switched-on performance capabilities, of which his rugged good looks are but a bonus.
Topics of our conversation included working with Martin Scorsese and getting late-night phone calls from Stanley Kubrick.
Padilha may not be a household name in the U.S., but the Brazilian filmmaker has developed quite a reputation in his home country.
Getting the opportunity to chat with her, I want to probe deeper, but will she think this is prying? Will she be cagey or inviting in her responses?
The California-born playwright, now 54, has become one of the preeminent Asian-American voices in the theater.
Meeting Doremus to chat about his new film Like Crazy, I couldn’t help but call the director “Mr. Douchebag,” after his breakout feature.
Swanberg recently spoke with Slant about his work to date, the making of Silver Bullets, and the mumblecore movement.
Slant had the opportunity to discuss McKee’s decade-long career, as well as his latest film, The Woman, with the writer-director.
Mise-en-scène choices, improvised pietàs, and the leading lady’s driving arrangements were some of the topics of our discussion.
Cabaret, drag, and performance artist, Joey Arias is a potent experience all by himself.