Motor City channels the spirit of the vigilante films and other exploitation genres of the 1970s.
Jonas Bak’s semi-autobiographical film unfurls through a series of echoes across time and space.
Windfall has a difficult time landing on the right tone or getting a bead on its characters.
After a dangerous, even personal, first half, Deep Water becomes crude in all the wrong ways.
Once all hell breaks loose in X, the promise of a genre deconstruction all but evaporates.
The film has the feel of a mea culpa from Gainsbourg for having taken Birkin for granted.
Kristen Stewart discusses Spencer’s depiction of Princess Diana, the idea of personal sacrifice for one’s country, and more.
The Outfit is a dapper, twist-filled crime story that relies more on dialogue than gunplay to move the action.
Sin! Booty-shaking! Sexy lingerie! Gambling! Home-wrecking dames! Gents who won’t take no for an answer!
Shawn Levy’s sci-fi flick is as crowded with incident as it is with saccharine family drama.
Ultrasound never quite figures out how to keep going once its mysteries have been unraveled.
The film forgets that if you’re not building something new from familiar pieces then you’re just regurgitating old ideas.
Jane Campion discusses the latest notch in her increasingly notch-heavy belt, her vision of the American West, and more.
After a first hour that may well hit Zoomers and their millennial parents in the feels, Turning Red gradually runs out of steam.
Throughout Gold, Zac Efron seems almost determined to wipe away the last vestiges of his youthful looks.
Franz Rogowski discusses why he doesn’t feel the need to go overboard in preparing to act out unfamiliar circumstances.
Zou Zou and Princess Tam Tam are among the most bittersweet musical comedies ever made.
In Great Freedom, the question of love is refreshingly never too far from bodily intimacy, irrespective of what kind of love that is.
Hany Abu-Assad’s film understands how people use personal despair to justify their extreme ideologies.
The Batman is a commemoration of the Batman mythology and its stylistic and tonal shifts across its 80-year history.
The film poignantly draws a straight line from the economic anxieties of the past straight to the present.