Despite a suspenseful jolt or two, this cornball Hitchcock riff is anything but subtle.
Released at the pinnacle of his prolific Mexican period, Él remains one of Luis Buñuel’s crowning achievements.
The whole of the film is less than the sum of its parts, but the parts are often breathtakingly shot.
Galoup is merely a rotten byproduct of a dehumanizing military apparatus, but by film’s end he finally learns to let out some steam.
In American Psycho, there is an exit—it’s just called the future.
The overall effect is like opening a present on Christmas morning.
To think that there are people in America will take the film’s rank sentimentality as an act of humanitarianism.
Get this: In Memento, Christopher Nolan tells his story backward!
The Whip and the Body is at once frightening and hysterical, a gothic rendition of a D.H. Lawrence tale.
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