Refn discusses his love of fairy tales, falling through the rabbit hole of streaming, and more.
Scorsese, De Niro, and Paul Schrader buffs will want to check out the documentary The Plot to Kill Reagan.
Ice Age 2: The Meltdown offers one comic-epic splendor after another.
Chris Robinson skews more toward Roll Bounce authenticity than Belly superficiality with ATL.
Even though it follows every cliché in the book, and then some, Take the Lead delivers on its promise and never feels pandering.
Exhilarating, infuriating, mesmerizing, baffling, and out-and-out crazy, 4 certainly doesn’t lack for ambition and outrageousness.
Slither is a serviceably fun, if slightly too polished, homage to creature features gone by.
You needn’t have watched every Best Picture winner to vote.
Harvey Keitel’s performance is one of the most committed in movie history.
Alex Karpovsky’s debut feature will screen at the Harvard Film Archive on March 31.
The film is a turgid series of druggie hallucinations, softcore sexual trysts, and violent confrontations.
Wim Wenders, it seems, really, really, really loved The New World.
It’s a film with inadequate research but one that makes a ferocious case capped with a hopeful closing statement.
Philip Gröning’s film offers up some striking and unforgettable parallels between religious and artistic struggle.
It’s an even-handed account whose content comes to us slowly like the rising tide.
In the immortal words of pioneering film theorist Vachel Lindsay, this is fucking awesome.
Larry the Cable Guy: Health Inspector is as rough-hewn and out of place as its titular main character.
As Ashim Ahluwalia delves deeper into his subjects’ lives, John & Jane Toll-Free becomes increasingly nightmarish.
Throughout, Keke Parker exudes adolescent fear and frustration with understated naturalism.
Is this film trying to say something to Dubya’s base with all this bibilical imagery?
Writer-director James Bai’s Puzzlehead which shows this week at the Two Boots Pioneer Theater, proves that ingenuity is currency.