Refn discusses his love of fairy tales, falling through the rabbit hole of streaming, and more.
Glenn Gers’s disFIGURED is a preachy message movie that collapses under the weight of its own self-important speechifying.
The latest collaboration between Eddie Murphy and Norbit director Brian Robbins is not, in fact, the worst movie ever made.
Guillermo del Toro’s movies represent an exploration of the possibilities of narrative and the imagination.
At times, I wanted to close my eyes to divert myself from the sea of images, since listening to music is a personal experience worth cherishing.
Trafic serves as a scaled-down but inescapably fitting companion piece to its predecessor, the monumental Playtime.
Writer-director Roc Roman Waugh crafts his narrative with a minimum of aesthetic or screenwriting affectation.
Writer-director Charles Oliver’s climactic twist merely nullifies any engagement with the characters’ prior plights.
Transsiberian eventually reveals itself to be scatterbrained thematically.
This film version of Mamma Mia! is such a full-scale disaster in every way that it’s hard to know what has held theatergoers’ attention for so long.
For a good stretch of its paltry running time, the film convincingly plays the part of a legit documentary.
Wartime isn’t just an excuse for functional architecture.
Hellboy II is rich with interesting creatures, minions, and evil-doers.
Holden’s performances were not the only source of parody of his own fame.
The film is a darling relationship drama that probes our collective fears about financial instability.
Milestone Films liberates Kent Mackenzie’s 1961 debut from undistributed purgatory.
We’re back and we’ve got our first real “special guest” on the podcast: Salon’s Andrew O’Hehir.
For a film about Native Americans depleting what’s left of their lives in skid row haunts, The Exiles is a groovy visual experience.
The biggest surprise of America the Beautiful is the ease with which director Darryl Roberts keeps his contempt in check.
Let’s keep this terse: I talked with three other colleagues about Full Battle Rattle, and we all came to the same conclusion.
Adolescent pulp fantasia meets sentimental married life in Guillermo del Toro’s follow-up to his 2004 working-class superhero movie.