From Taylor Swift to The Tortured Poets Department, we’ve ranked all of the singer’s studio albums.
Slant caught up with del Toro in Beverly Hills to discuss his work with his fellow Mexican filmmakers.
She wailed with an astonishing clarity throughout songs like “Glass” and “Pearl’s Dream.”
America’s relationship with Star Trek began before man ever set foot on the moon.
Ondi Timoner is fascinated by troubled men of extraordinary insight, calling them “delusional visionaries.”
Wallace wrote for Premiere in the mid-to-late 1990s, about subjects as diverse as David Lynch, Terminator 2, and the Adult Video News Awards.
Anna Boden and Ryan Fleck are up to bat again with the immigrant baseball story Sugar.
Is Soderbergh’s film better than Tarkovsky’s, or the other way around?
For our third installment of “The Conversations,” we decided to each select a film from the past 10 years that we thought was unfortunately overlooked and/or unfairly maligned.
Every year, New Directors/New Films showcases the latest works from directors more or less new to the cine-block.
Connecting Polanski’s work to what a western audience would refer to as absurdism or surrealism, Bird views them as personal artistic statements.
Bird discusses Polish director Andrzej Zulawski and more.
My meeting with New Yorker film editor and film listings writer Richard Brody involved no finger pointing.
David Lynch is a filmmaker who has haunted my mind since the first moment I saw one of his films.
Our interview with James Gray touches on the complexities of Two Lovers and the nature of criticism.
I leapt at the chance to send a few questions, via e-mail, to Chantal Akerman on the film itself and on working with Delphine Seyrig.
It is only underneath, beneath the striking visual effects and Gumpian narrative, that Fincher himself is revealed.
Nankin discusses TV direction in general, directing Battlestar specifically, and some of the other shows on TV he admires.
Antonio Campos, who is now 25, worked on the script that became Afterschool throughout college, and had begun it earlier.
The year’s best music reflects the spirits of hope and change that will likely define 2008.
Documentaries in particular enjoyed a banner year, whether crafted by well-known legends of the medium or heretofore-unknown talents.