There’s an enigmatic quality to the role of Nolan in the current filmmaking landscape.
Robert Greene discusses how he merged the processes of drama therapy and filmmaking, how he avoided retraumatization, and more.
As the album turns 30, we take a look back at My Bloody Valentine’s Loveless.
At the very least, these 13 weird movies can hold your attention, and deliver decent chills, especially with a nice buzz and low expectations.
Hogg and Swinton Byrne discuss what changed between production of the film’s two parts in terms of casting and more.
Robert Mitchum is the greatest Hollywood actor to ever pretend not to give a shit about acting.
The filmmaker discusses the undertones that he perceives in the novel that he wanted to bring to the fore for his two-part production.
Vicky Krieps discusses what Bergman’s legacy means to her now, and what Phantom Thread means to her several years later.
Hamaguchi Ryûsuke discusses his two latest films and how he lets humor color his thematic exploration of chance.
Todd Haynes discusses The Velvet Underground’s split-screen aesthetic and why Lou Reed’s death had to serve as a “structuring absence.”
From The Fame to Love for Sale, we’ve ranked every Lady Gaga album from worst to best.
From Shirley Bassey’s “Goldfinger” to Billie Eilish’s “No Time to Die,” we’ve ranked all 24 Bond themes from best to worst.
The ’80s haunted this year’s Polish Film Festival, which is billed by its organizers as one of the oldest film events in Europe.
Diamonds and Pearls was an important sign that Prince was willing to embrace contemporary sounds to stay visible.
Julia Ducournau discusses her approach to filming bodies and her reimagining of foundational texts to build a modern mythology.
The 2021 Tony Awards, honoring the Broadway season that was cut short by the Covid pandemic, are all about memory.
The time has come to at long last grant Trompe le Monde its rightful title as the Pixies’s best album.
The actor discusses how he found the physicality of his character and the difficulties and joys of doing verbal comedy in German.
If ever the world needed to be reminded of cinema’s world-making possibilities, it’s now.
Riz Ahmed discusses art as therapy and what it’s like to play a character who parallels his personal life and history.
Thirty years later, we take a look back at Mariah Carey’s underrated sophomore effort, Emotions.