Mills’s films might be called fragmentary if not for their unifying spirit of psychological inquiry.
Edge enhancement visibly hugs objects and actors from time to time, but color saturation is gorgeous and the sometimes gloppy blacks, given the film’s origin as a comic book, always make sense.
A rare opportunity to see B-picture rawness in an A-level presentation.
A passable presentation of Fritz Lang’s slowly paced, overpraised noir will please historians and mirror aficionados.
Surviving better than it should, Red Dawn comes to teach a new generation about the perils of commie invasions.
Welles’s underrated third effort gets no love in this DVD version, but it’s still a virtuosic, fascinating work.
The image is a bit of a downer, but the film is still thrilling, and the extras will keep you busy for days.
Hot Fuzz is now in the running for the title of Mainstream DVD of the Year.
A solid DVD package for this disposable but nonetheless game attempt at giving Generation Y a Rear Window to call its own.
A fine disc of a strange film.
Williams’s bare skin in her earliest features probably kept up the morale (and other things) of the boys fighting overseas.
This is a solid disc that does justice to Jean-Pierre Melville and Jean Cocteau’s puzzler.
With this fourth volume in the Film Noir Classics series, you must take the good with the bad.
A borderline shameful image transfer makes this first DVD edition of Zodiac something of a waste of time and money.
The film scarcely inspires awe, but the image and sound transfer do.
If we’re lucky, Premonition may not exist come tomorrow morning.
Totally twee, but Archer seems to understand his talent as he does his main character: a work-in-progress.
Stuuuuuuuuuuuuuuuuuupid.
The Hustler reaffirms your faith in the movies.
The final season of a television masterpiece. Bring on those movies, HBO!
My mistake. Four coffins for all previous video versions of these films.